
N/N 2019: The Trilogy of the Sacred and the Satanic
In which Pamela Cohn casts light on Pirjo Honkasalo’s The Trilogy of the Sacred and the Satanic.
In Neither/Nor, True/False spotlights repertory work that broadens the boundaries of nonfiction filmmaking as well as film writers who are sharp interpreters of this exhilarating and fraught art. The slate of films will be screened at Ragtag Cinema the week of the festival. All Neither/Nor screenings are free.
Wednesday, March 4, there will be a special pre-Fest Neither/Nor screening event at Ragtag Cinema. At 5:15pm, join filmmaker Lisa Steele for a reception presented by The Missouri Film Office. Steele’s film The Gloria Tapes starts at 6pm and will be followed by a Q&A. The reception & screening are free and open to the public, but a ticket is required. Tickets will be available at the Ragtag Cinema Box Office on March 4 at noon.
Now in its seventh year, True/False’s Neither/Nor program returns home, spotlighting repertory work from Missouri born and raised filmmakers who are broadening the boundaries of nonfiction filmmaking. Artists featured include Lisa Steele, Mike Henderson, Christopher Harris, and Tom Palazzolo.
In which Pamela Cohn casts light on Pirjo Honkasalo’s The Trilogy of the Sacred and the Satanic.
In which Ashley Clark presents the work of the Black Audio Film Collective.
In which Nick Pinkerton shocks us with Mondo cinema and its offshoots.
In which Ela Bittencourt guides us through chimeric Polish cinema of the 70s, 80s and 90s.
In which Godfrey Cheshire introduces us to the self-reflexive Iranian cinema of the 1990s.
In which Eric Hynes explores the chimeras of New York City in the ’60s.