Rough Cut Retreat - True/False Film Fest
Rough Cut Retreat

ROUGH CUT RETREAT

A CATAPULT FILM FUND & TRUE/FALSE FILM FEST COLLABORATION

At the height of summer, when filmmakers gaze out the edit suite window with yearning (but maybe also relish the air conditioning), our Rough Cut Retreat offers a one-of-a-kind, immersive mentorship experience. Launched in 2016 by Catapult Film Fund & the True/False Film Fest, RCR gathers nonfiction filmmakers and mentors in a creative, supportive, and deeply engaged atmosphere. The tools of editing are set aside and participants are invited to refocus on the stories they set out to tell – and then see their work reflected back in detailed (but never didactic) analysis from both mentors and their fellow participants. Rough Cut Retreat seeks work that displays ambitious, idiosyncratic approaches to nonfiction storytelling – and we prioritize filmmakers who lack access to strong feedback networks. Chosen mentors represent a variety of nonfiction film professionals who embody creativity and a generosity of spirit. Rough Cut Retreat is presented by Catapult and True/False – united in a shared passion for supporting bold and creative new nonfiction filmmaking. The 2026 retreat will take place July 19-23 at Hilltown Commons in Rensselaerville, New York. Note: while the venue is largely accessible, RCR is also committed to working with each filmmaking team to ensure full access to the retreat and its events. 

Eligibility

  • Nonfiction Feature film projects that will be in the rough cut stage by Summer of 2026
  • First or second time feature filmmakers with limited feedback networks (see FAQ)
  • Filmmaker(s) must be available to attend in person

Timeline & Specifics

  • Rough Cut Retreat will take place July 19-23 at Hilltown Commons in Rensselaerville, New York.
  • Five feature films will be chosen to participate, and up to two members from each filmmaking team will be invited to attend. The film’s director(s) must attend and a producer or editor is welcome to attend as the second guest. 
  • Five mentors, in addition to Catapult & True/False hosts, will be present at the event
  • Domestic travel, lodging and food will be booked and covered for filmmaking teams, a partial travel stipend will be made available to teams traveling internationally

Submissions Information

  • Our Regular deadline for entries is April 3, 2026 at 6PM CST and submissions up until this deadline are free. Our late deadline is April 17, 2026 at 6PM CST and submissions in this window will be charged a $30 fee. 
  • For consideration, fill out the application form below in full. Submissions should include two paragraphs describing your film and an online screener link of 5-10 minutes that best represents the project. If submitting a longer cut, filmmakers are strongly encouraged to specify a 5-10 minute section – otherwise the first 10 minutes of the cut will be watched.
  • Long listed projects will be notified by May 1st and will be asked to submit a full cut. The RCR team will reach out to shortlisted projects to schedule phone interviews ahead of the final selection date.
  • Only projects with a realistic projection of a sub two and a half hour cut by the retreat will be considered.
  • Projects will be notified of decision on or by June 1, 2026
  • If selected, a screener link of the film’s rough cut must be submitted by July 10th and a digital file (quicktime .mov, .mp4. or equivalent suitable for projection) must be provided by July 14th.

Questions?

2026 PROJECTS

a bird with a knife

Veteran investigator Dave Perkins devoted his life to ​solving the West’s strangest mystery: the unexplained mutilation of thousands of cattle. Anchored by his ​quest for answers to ​a phenomenon that has haunted ranchers and law enforcement for more than 50 years, A Bird with a Knife explores the theories that have become tied to this mystery — cults​, aliens​, government cover-ups — and what they reveal about our need to find meaning in the face of the unknown.

dirs./prods. Cecilia Brown & Winslow Crane-Murdoch

dear you

After escaping an abusive marriage and fleeing to the U.S., Grace James finds herself trapped in the U.S. asylum system for 10 years. In this poetic portrait of a woman in limbo, haunting memories begin to resurface of Grace’s past life and her disappearing homeland—the island nation of Kiribati.

dir. Aurora Brachman & edit. Nathan Punwar

finding má

Separated for over 20 years, an Amerasian Vietnamese and Black family reunite to heal old wounds, starting with finding their houseless mom.

dir. Thành Trấn & edit. Aldo Velasco

the river

The River is a vivid, character-driven film about Louisiana’s complex relationship with the Mississippi River.

dir. caitlyn greene

vestibule

Vestibule is the story of one woman’s fight for sexual health, pleasure and bodily autonomy. Through imaginative dance sequences and intimate voiceover, Riley chronicles her decade-long journey with Vestibulodynia — a vulvovaginal disorder. What begins as a quest for pain-free sex becomes a multigenerational story of resilience, dignity and self-discovery.

dir./edit. Riley Hooper & edit. Claire Ave'Lallemant

2026 Mentors

Picture of Erin Casper

Erin Casper

Erin Casper is a Peabody and two-time ACE Eddy Award winning editor based in New York. Her work has been broadcast and distributed in theaters around the world, and premiered at festivals including Sundance, Telluride, TIFF, NYFF, Busan, and SXSW. Erin has served as an advisor at the Rough Cut Retreat and the Sundance Edit & Story Lab. She is a member of AMPAS, BAFTA, and ACE and is on the board of the Karen Schmeer Film Editing Fellowship. Her recent editing and writing credits include Fire of Love (2023 Oscar® nominee), Time and Water (Sundance 2026), and “All the Empty Rooms” (2026 Oscar® winner for Best Short Documentary).

Picture of davis coombe

davis coombe

Davis Coombe is an award-winning editor, producer, and writer. Davis shot, edited and produced The Last Campaign of Governer Booth Gardner, which was nominated for an Academy Award® in 2009, and produced and edited the Oscar®-winning documentary Saving Face and the Emmy®-winning Chasing Ice in 2012. In 2021 he won Primetime Emmys® for writing and editing The Social Dilemma. His other work includes Casting Jonbenet and Chasing Coral, which both premiered at Sundance in 2017. He was producer and editor on the Emmy®-winning The Rescue List for POV as well as producer and editor on Liyana, which won over 35 festival Grand Jury and Audience Awards. He co-produced, co-wrote and edited Being Evel, which premiered at Sundance in 2015. Davis also co-wrote and edited Keeping On Keepin’ On, which was shortlisted for an Academy Award® in 2014. His latest work, The Grab, premiered at the 2022 Toronto International Film Festival. Recently he was an editor on the Netflix series Encounters and the Focus Features documentary The AI Doc: Or How I Became an Apocaloptimist. Davis is a member of the Academy and lives in Denver, Colorado.

Picture of yance ford

yance ford

Yance Ford is a singular voice in documentary filmmaking. With an Oscar® nomination, a Primetime Emmy® and global acclaim, Ford’s work is known for its formal rigor and emotional resonance. His films explore history, memory and American life through a personal and political lens. Ford’s debut, Strong Island (Netflix), premiered at Sundance in 2017 and Ford made history when he became the first openly transgender director nominated for an Academy Award®. The film also won a Gotham Award, a Primetime Emmy® and a Sundance Special Jury Prize. In 2024, Ford returned with Power (Netflix), an unflinching portrait of American policing. The L.A. Times called Power “urgent, astute, capacious … a tale of sound and fury, signifying everything.” Former series producer of the anthology showcase POV, Ford teaches and mentors widely and serves on film juries around the world. He is a Guggenheim Fellow (2019), a MacDowell Fellow and a member of the Academy of Motion Picture Arts and Sciences.

Picture of david teague

david teague

David Teague is an Emmy®-winning documentary editor and writer. His work as an editor includes five Oscar®-nominated documentaries, among them the Sundance-winning films Life Animated and Cutie and the Boxer. He wrote and produced the Emmy®-nominated Stamped From the Beginning, based on the book by Dr. Ibram X. Kendi, which was shortlisted for the 2024 Academy Award® for Best Documentary Feature. David was nominated for an Emmy® and a Writers Guild Award and won a Grierson Award for his work on the film. He received a Cinema Eye Honors nomination for his work as supervising editor on the Sundance-winning Frida and he won a Cinema Eye Editing Award for the Emmy®-nominated Pretty Baby: Brooke Shields. David wrote the acclaimed fiction film Cassandro with director Roger Ross Williams, starring Gael García Bernal, which premiered at Sundance 2023 and was nominated for a GLAAD award. David has served as a filmmaking mentor with IFP/Gotham, the True False Film Fest / Catapult Rough Cut Retreat, Brown Girls Doc Mafia, the Karen Schmeer Film Editing Fellowship and the Sundance Institute.

Picture of malika zouhali-worrall

malika zouhali-worrall

Malika Zouhali-Worrall is an Afro-Arab/British filmmaker based in New York. An Emmy Award®-winning director, her directing credits include the feature-length documentaries, Call Me Kuchu (Berlin Film Festival, Netflix, BBC World, 2012) and Thank You For Playing (Tribeca, POV/ITVS, News & Television Emmy Award, 2015), both of which were theatrically released to critical acclaim in the U.S. Malika’s short form directing credits include the web series “Earn a Living” for French broadcaster ARTE (IDFA, 2018), and her recent short for PBS American Masters, “Strange Grace: The Art of Amyra León” (2020). In 2022, Malika’s latest short film, “Video Visit”, screened at SXSW, following festival screenings at AFI Fest, BAM Cinemafest, Blackstar Film Festival and the New Orleans Film Festival and was released by Field of Vision. Malika is currently in development on a hybrid feature-length film. As an editor, she most recently edited Through the Night (Tribeca, POV, 2020), a feature-length film by Loira Limbal that was selected for the 2019 Sundance Edit & Story Lab, chosen as a Critic's Pick by The New York Times and The Hollywood Reporter and recently named as one of The Guardian’s Best Documentaries of 2020. Malika's films have been supported by the Sundance Film Institute, Cinereach, San Francisco Film, Field of Vision, Doc Society and Catapult Film Fund, among others. As a director and editor, she has made films for Vice, Topic and ARTE. Malika is a 2019 Chicken & Egg Awardee, a 2020 Sundance Momentum Fellow, a 2020 William Greaves Award recipient and a 2021 Adobe Women at Sundance fellow.

Submissions for the 2026 Rough Cut Retreat have closed. Applicants will be notified by June 1st. 

If you have any questions please reach out to [email protected] 

2025

Hilltown Commons, Rensselaerville, NY / July 20-24

Mentors: producer Lauren Domino (American Symphony, TIME), documentary maven Tabitha Jackson, editor Viridiana Lieberman (The Perfect Neighbor), editor David Teague (Frida, Pretty Baby: Brooke Shields), and director Nanfu Wang (In the Same Breath, Night is Not Eternal).

chain of rocks

Dir. Damon Davis

Chain of Rocks is a first-of-its-kind fully stop-motion animation documentary feature film, generated with the help of AI initiatives and tools. It is an intimate story about the friendship between filmmaker Damon Davis and death row inmate Reginald Clemons, that questions topics of doubt, guilt, accountability, masculinity, and ultimately the complexity of the human experience.

good kids

Dir. Daniel Yonathan & Prod. Ike Rofé

Good Kids is a coming-of-age documentary set in Helena, Montana that follows the mayhem of a group of high school seniors. Jake, a seventeen-year-old shifty entrepreneur, opens a brick-and-mortar skate shop which becomes a haven as the kids face financial pressure, broken homes, and fast-approaching adulthood.

theydream

Dir. William D. Caballero & Prod. Erin Ploss-Campoamor

After an unexpected death in the family, a Puerto Rican-American filmmaker teams up with his grieving mother, collaborating alongside her to tell stories of familial love and loss, in this project that combines innovative forms of animation and miniature sets.

Premiere: Sundance Film Festival 2026

this is me loving you

Dir. Julia Hunter & Edit. Troy Lewis

Sydney, a charismatic heroin user, moves into a Chicago recovery home and befriends Julia, an alcoholic filmmaker. When Sydney gets pregnant and returns home to a chaotic relationship, both women re-enter a world of trauma and addiction where they must choose between protecting those they love and saving themselves.

what comes from sittin in silence?

Dir. Sophie Schrago & Edit. Isidore Bethel

The first woman to found an Islamic-law court in Mumbai, Judge Khatoon welcomes couples in crisis, counsels them, and sometimes guides their separation. (formerly, Sarkash)

Premiere: True/False 2026

2024

Whispertree, Booneville, CA / July 21 – 25

Mentors: director Ramona Diaz (And So It Begins), editor Amy Foote (All the Beauty and the Bloodshed), director Peter Nicks (Homeroom), editor David Teague (Frida), and film executive Noland Walker (ITVS).

THE INVENTORY

Dir. ilana coleman and prod. Ivonne VillalĂłn

The Inventory is a feature film that juxtaposes the nonfiction testimonials of mothers searching for their sons who were disappeared in Mexico against a bureaucratic committee of linguists searching for a missing word.

TO HOLD A MOUNTAIN

Dirs. Biljana Tutorov and Petar Glomazić

In the pristine mountains of Montenegro, a semi-nomadic mother and daughter defend their herding tradition and their land from becoming a NATO military training ground. A gripping family and environmental drama unfolds, as the story of violence against women echoes that of violence against nature. (formerly, The Last Nomads)

Premiere: Sundance Film Festival 2026

NATCHEZ

Dir. Suzannah Herbert and edit. Pablo Proenza

In a rural Mississippi town subsisting on its antebellum past, a reckoning unfolds. Through a Southern Gothic lens, Natchez captures the clash between memory and history, unveiling a panorama of hoop skirts, shackles, drag queens, pilgrimages, and delayed truths.

Premiere: Tribeca Film Festival 2025

THE NILE SPLITS

Dir. Zuff Shoya and sound designer Khaleel Lee

In the months leading to a civil conflict, a filmmaker reunites with his family in Sudan after 15 years apart. As he uncovers his connection to an ancient tribe that has lived on the Nile for millennia, he probes for answers to a whimsical question: does the Nile split, or does it meet? 

SEEDS

Dir. Brittany Shyne and edit. Malika Zouhali-Worrall

Seeds is a portrait of centennial farmers in the geographical south. Using lyrical black-and-white imagery, this meditative film examines the decline of generational black farmers and the significance of owning land.

Premiere: Sundance Film Festival 2025

2023

Shire in the Woods, McGrath, MN / July 23 – 27

Mentors: director Steven Bognar (American Factory), editor Fiona Otway (Iraq in Fragments), director Yoruba Richen (The Rebellious Life of Mrs. Rosa Parks), editor David Teague (Life, Animated), and director Stephanie Wang-Breal (Blowin’ Up).

AGENT OF HAPPINESS

Dirs. Arun Bhattarai & Dorottya ZurbĂł

A lyrical road movie of Amber, one of the many happiness agents who is working for the Center of Gross National Happiness in Bhutan. He travels door to door measuring people’s happiness levels while searching for his own among the remote Himalayan mountains.

Premiere: Sundance Film Festival 2024

HOW TO BUILD A LIBRARY

Co-dir. Christopher King & edit. Michael Onyiego

Two tenacious Kenyan women are transforming a dilapidated, junk-filled library in downtown Nairobi into a hub for the city’s citizens and creatives. But first they must wrangle with local government, raise several million dollars for the rebuild, and confront the ghosts of a problematic colonial history still trapped within the library walls.

Premiere: Sundance Film Festival 2025

MAI AMERICAN

Dir. Kevin Truong

A 70-year-old Vietnamese American refugee living in Oregon writes down her life story, indelibly shaped by the War in Vietnam. As she shares what she has written with her filmmaker son, they begin separate but parallel journeys confronting the traumas of their past and the emotional divide in their present.

THERE WAS, THERE WAS NOT

Dir. Emily Mkrtichian

The first line of every Armenian fairy tale, There Was, There Was Not tells the collective myth of a homeland nearly lost to war — and four women’s resistance to that loss.

Premiere: True/False 2024

SUGARCANE

Dirs. Julian Brave NoiseCat & Emily Kassie

An investigation of unmarked graves at an Indian residential school ignites a reckoning in the lives of survivors and their descendants, including the film’s co-director whose father was born—and nearly buried—at the school.

Premiere: Sundance Film Festival 2024

2022

The Carey Institute for Global Good, Rensselaerville, NY / July 24 – 28

Mentors: Director Rita Baghdadi (Sirens, My Country No More), editor Carla Gutierrez (RBG, Pray Away), film exec Simon Kilmurry (POV, IDA), editor David Teague (Cutie and the Boxer, Life Animated), and editor/producer/director Lynn True (Summer Pasture, In Transit).

BREAK THE GAME

Dir. Jane Wagner, Edit. Stephanie Andreou

Alone in her studio apartment, Narcissa Wright live streams every minute of her quest to be the world’s fastest Legend of Zelda player. But when her isolated digital existence begins to crack, Narcissa must decide her fate: will she embrace love and adventure in the real world, or will she be seduced again by the glow of the computer screen?

Premiere: Tribeca Film Festival 2023

HUMMINGBIRDS

Dirs. Estefanía Contreras & Silvia Castaños

In this late-night summer self portrait, Silvia Castaños and Estefanía Contreras make magic of everyday moments coming of age on the Texas-Mexico border.

Premiere: Berlinale 2023

JOONAM

Dir. Sierra Urich

Joonam follows Sierra, an artist and filmmaker, searching for her family’s unreachable past in Iran. While excavating the formative memories of her mother and grandmother, Sierra unearths the forces behind her fractured Iranian identity and a new quest to define her own version of her heritage.

Premiere: Sundance Film Festival 2023

THE NOBLE HALF

Dir. Khaula Malik, Edit. Hena Ashraf

The Noble Half follows the daily lives of three trans women—Bubbli, Eshaa, and Sharmeeli—in Pakistan, where they are known as khwaja-seras. Creating a mosaic from moments in these women’s lives, the film explores how they must constantly negotiate who they are based on where they are, revealing the tangled nature of gender, wealth, and colonialism. The Noble Half is a prismatic image of Pakistan and the khwaja-sera community few audiences have seen before.

HOMEGROWN

Dir. Michael Premo, Prod. Rachel Falcone

Homegrown is an unflinching chronicle of Americans at war with each other. Three right-wing activists—a newly politicized father-to-be in New Jersey, an Air Force veteran organizing conservatives in New York City, and a charismatic activist from Texas—crisscross the country in the summer of 2020, campaigning for Donald Trump and building a movement they hope will outlast him. When they become convinced that the election is stolen, they take their fight to the streets. 

Premiere: Venice International Film Festival 2025

2021

Bell Valley Retreat, Boonville, CA / August 1 – 5

Mentors: Editor Nels Bangerter (Cameraperson, Dick Johnson is Dead), film exec Jihan Robinson (Casting JonBenet, A Thousand Cuts), editor David Teague (Cutie and the Boxer, Life Animated), and director/editor Malika Zouhali-Worrall (Call Me Kuchu, Through the Night), executive producer Lisa Kleiner Chanoff (Art and Craft, Brimstone & Glory)

COMMUTED

Dir. Nailah Jefferson, Prod. Darcy McKinnon, Edit. Rubin Daniels

Part lyrical memoir and part verité documentary, Commuted is an intimate look at the familial impacts of incarceration and the hope of one mother to regain the family and life that she nearly lost.

Premiere: New Orleans Film Festival 2023

CONCRETE LAND

Dir. Asmahan Bkerat, Prod. Sahar Yousefi, Edit. Kamal El Mallakh

Living in makeshift tents, on land they don’t own, three generations of a Palestinian Bedouin family are forced to make a choice when suburban construction creeps up on them – to continue to be Bedouins with their pet sheep Badrya, or abandon their lifestyle and move to the city. 

LA BONGA

Dirs. Sebastián Pinzón Silva & Canela Reyes, Prod. Gabriella Garcia-Pardo

On April 5th, 2001, the village of La Bonga received a death threat that triggered the entire community to flee, leaving everything behind. Twenty years later, hundreds of people embark on a symbolic journey through the jungles of the Colombian Caribbean to resurrect their town for a night of celebration.

Premiere: True/False 2023

THE TUBA THIEVES

Dir. Alison O’Daniel, Prod. Rachel Nederveld, Edit. Zack Khalil

From 2011-2013 tubas were stolen from Los Angeles high schools. The Tuba Thieves is not about thieves or missing tubas. Instead, it asks what it means to listen.

Premiere: Sundance Film Festival 2023

THE TERRITORY

Dir. Alex Pritz, Edit. Carlos Rojas

When a group of Brazilian farmers take control of a new area of the Amazon rainforest, a conflict erupts at the forest’s edge.

Premiere: Sundance Film Festival 2022

2020

Virtual Retreat / July 25 – 31

Mentors: Producer/Director Bonni Cohen (Athlete A, An Inconvenient Sequel: Truth to Power, Audrie & Daisy), Editor David Teague (Cutie and the Boxer, Freeheld, Spaceship Earth), Editor Don Bernier (Athlete A, Always in Season), Producer Rahdi Taylor (Time), Director/Cinematographer, Omar Mullick (These Birds Walk)

BITTERBUSH

Dir. Emelie Mahdavian, Prod. Su Kim

A portrait of friendship, life transitions, and hard work, as two young women navigate an isolated and beautiful landscape of the American West.

Premiere: Telluride Film Festival 2021

THE IN BETWEEN

Dir. Robie Flores, Prod. Alejandro Flores/Kellen Quinn

This interwoven coming-of-age story chronicles the ordinary and extraordinary moments of growing up on the U.S./Mexico border.

Premiere: SXSW Festival 2024

NORTH BY CURRENT

Dir. Angelo Madsen Minax, Prod. Felix Endara

A deep personal history of the complex relationships shared between mothers and their children, this film creatively reframes narratives about incarceration, addiction, trans embodiment, and ruralness.

Premiere: Berlinale 2021

RAZING LIBERTY SQUARE

Dir. Katja Esson, Prod. Ann Bennett

After years of neglect, residents of Miami’s oldest public housing project learn about an urban revitalization project and brace themselves to fight a new form of racial injustice: climate gentrification. 

Premiere: Hot Docs 2023

ASCENSION

Dir. Jessica Kingdon, Prod. Kira Simon-Kennedy/Nathan Truesdell

This multi-faceted portrait takes us inside the growing behemoth that is the nominally communist yet hyper-capitalist People’s Republic of China – and questions what it actually means to live the so-called “Chinese Dream.”

Premiere: Tribeca Film Festival 2021

2019

Carey Institute for Global Good, Rensselaerville, NY / August 4 – 8

Mentors: Producer/Director Bonni Cohen (An Inconvenient Sequel: Truth to Power, Audrie & Daisy), Editor Toby Shimin (Buck, How to Dance in Ohio), Editor David Teague (Life Animated, Cutie and the Boxer), Editor/Producer Jean Tsien (Malcolm X: Make It Plain, Dixie Chicks: Shut Up & Sing)

MAYOR

Dir. David Osit

Mayor follows a charismatic leader’s quixotic quest to build the city of the future in a land paralyzed by its past.

Premiere: True/False 2020

SOCKS ON FIRE

Dir. Bo McGuire

Socks on Fire is a transgenerational docudrama couched in the familial battle between a homophobic aunt and drag-queen uncle over an Alabama grandmother’s estate.

Premiere: Tribeca Film Festival 2020

UNAPOLOGETIC

Dir. Ashley O’Shay

During the height of the Movement for Black Lives in Chicago, Unapologetic captures a community of millennial organizers confronting an administration complicit in state violence against its Black residents, through the intimate stories of two Black queer women, Janaé and Bella.

Premiere: Blackstar Film Festival 2020

FEELS GOOD MAN

Dir. Arthur Jones

 Feels Good Man explores the current cultural moment and political climate through the lens of the Internet’s dankest meme.

Premiere: Sundance Film Festival 2020

WHAT WE LEAVE BEHIND

Dir. Iliana Sosa

What We Leave Behind follows the director’s 89-year-old grandfather on his monthly 17-hour bus ride from Primo de Verdad (a rural town in northern Mexico) to El Paso, Texas and Albuquerque, New Mexico to reunite with family separated by borders.

Premiere: SXSW Festival 2022

2018

Carey Institute for Global Good, Rensselaerville, NY / July 22 – 26.

Mentors: Editor Erin Casper (Detropia [T/F 2013]), Director Rachel Grady (12th & Delaware), Producer Josh Penn (Beasts Of The Southern Wild, Editor Aaron Wickenden (Won’t You Be My Neighbor? [T/F 2018], and Director Roger Ross Williams (Life Animated [T/F 2015]).

Dir. Mo Scarpelli 

Anbessa explores the rich inner world of a lion-hearted, ten-year-old boy in Ethiopia as he weathers the tides of change that threaten to usurp his community and country.

Premiere: Berlinale 2019

SO LATE SO SOON

Dir. Daniel Hymanson 

Queen of the Battling Butterfly Brigade (its working title at the time of the RCR) is a film about aging, ecstasy, and finding the infinite in the infinitesimal.

Premiere: True/False 2020

SCARS

Dir. Agnieszka Zwiefka

Scars follows a former female fighter and radical ideologue of the Tamil Tigers, in a post-civil war Sri Lanka. When she leaves her quiet countryside life to find her fellow comrades, she faces her own dark past and the trauma of war.  

Premiere: One World Film Festival 2020

STRAY

Dir. Elizabeth Lo

Stray sees the world through the eyes of three street dogs in Turkey, a nation in a profound state of flux. The film finds dignity in both the dogs and the marginalized people around them.

Premiere: Tribeca Film Festival 2020

TRUTH OR CONSEQUENCES

Dir. Hannah Jayanti

Truth or Consequences is about the eponymous, small desert town in New Mexico banking on the world’s first commercial spaceport. This dusty no man’s land and its longtime residents are both eager for and weary of big changes.  

Premiere: International Film Festival Rotterdam 2020

2017

Gedney Farm, New Marlborough, MA / July 23 – 27

Mentors: Producer Amanda Branson-Gill (The Unknown Known), Editor David Teague (Life Animated; Cutie & the Boxer), Director Chris Hegedus (The War Room), Director/Producer Mark Becker (Art & Craft; Pressure Cooker), and Director Pete Nicks (The Force).

Dir. Mohamed Siam
Amal follows an Egyptian teenager, from the age of 14 till the age of 20 while she’s searching for her identity within a constantly changing country.

Premiere: IDFA 2017

Dirs. Chase Whiteside & Erick Stoll
América is about a dreamer who reunites with his brothers to take care of their ninety-three year old grandmother, América in southwest Mexico.

Premiere: True/False 2018

 

Dir. André Hörmann
Ringside (formerly, The Punch) takes us into the heart of a high- stakes family drama playing out in a remote Cuban fishing village

Premiere: Berlinale 2019

Dir. Milena Pastreich
Pigeon Kings tracks a peculiar subculture of pigeon competitions in So. Central LA presided over by the godfather Keith London.

Premiere: Seattle International Film Festival 2019

Dir. Kim Hopkins
Voices of the Sea takes us into the heart of a high- stakes family drama playing out in a remote Cuban fishing village.

Premiere: True/False 2018

2016

Mayacamas Ranch, Calistoga, CA / August 7 – 11

Mentors: Editor Nels Bangerter ( Cameraperson), Director Rachel Boynton (Big Men), Editor Pedro Kos (The Square), Director Dan Krauss (The Kill Team), and Director Kristine Samuelson (Tokyo Waka).

Dir. Vaishali Sinha

Premiere: Hot Docs 2017

Dir. Shevaun Mizrahi

Premiere: Locarno International Film Festival 2017 (WIP at True/False 2017)

Dirs. Jeremy S. Levine & Landon Van Soest

Premiere: Berlinale 2017

Dir. Jonathan Olshefski

Premiere: Sundance Film Festival 2017

Dir. Till Shrauder

Premiere: Tribeca Film Festival 2017

Launched in 2016 by Catapult Film Fund & the True/False Film Fest, RCR unites nonfiction filmmakers and mentors for five days of screening and discussion. The tenth annual Rough Cut Retreat will take place July 19-23, 2026 at Hilltown Commons in Rensselaerville, New York

While past RCR projects have been wildly different in form, there are a few common traits. First, projects need to be far enough along to make group viewing beneficial (scene collections do not work) but not so polished that they can’t be pulled apart and reconfigured if needed. Production should be at least 98% finished – while some projects have screened with a missing scene or two, more than that is likely a sign that you’re not ready for the retreat. Catapult & True/False prioritize work that displays an ambitious, idiosyncratic approach – films can be about anything, but are always engaged with the form of nonfiction storytelling.  

The Rough Cut Retreat was built with a focus on filmmakers who do not have established feedback networks. This can be for any number of reasons, including filmmakers who are relatively early in their careers and thus haven’t yet built a support network of peers. That said, If it’s helpful to have some concrete terms: if you’ve already made two or more features, then RCR is almost certainly not for you. If you can text one or more Oscar nominees and ask them to watch a cut of your film, the RCR is also probably not for you. If the project has already secured distribution through a major platform, that may hamper your chances of being invited, but is not reason for exclusion. 

Only projects with a realistic projection of a rough cut by mid July will be considered – Assemblies and Works-In-Progress are welcome at the time of application if you will have a <2.5 hour rough cut in time for the retreat. It is in no one’s best interest to be overly ambitious here – in fact, it can be almost detrimental to the process to share a film for this type of feedback too early. 

If the cut you bring to the retreat is over 2.5 hours, it will cut into the time allotted for group discussion of your project. Each project will have a set amount of time in the retreat schedule regardless of run time. With the current format of the Retreat, we cannot consider episodic content. We do not consider films with a projected completed runtime of under one hour. 

Applying to the Rough Cut Retreat is free until our regular deadline so we encourage you to apply as early as possible. If you cannot meet the regular deadline, there is a chance to submit a late submission for a $30 processing fee to cover the costs of reviewing your submission.  You’ll complete the application form, with two paragraphs describing your film and an online screener link of 5-10 minutes that best represents the project. Scenes are always better than sizzle reels. Longer work samples will be considered at the jurors’ discretion, but the first 10 minutes of all entries will always be watched. We will contact finalists for follow up calls in May, and at that point we will ask you to send your longer cut. Those longer samples will be evaluated for fit and final decisions will happen no later than June 1.

We will schedule a 20-30 minute phone call with you and 2 or 3 members of our team to hear more about where you’re at with the film, how you see it progressing, and what you hope to get from the retreat. Before the call, we will send along a few questions that will serve as a framework for the conversation so we don’t surprise you 🙂

Try to select one or two samples (no more than 10 minutes combined length) that encapsulate the soul of the film. By that we mean something that tells us something about you as a director and your story as a piece of cinema. Please do NOT send sizzle reels or trailers. You are welcome to send a longer cut of your film and specify a ten minute section you would like us to watch (if not specified we will watch the first 10 minutes).

If there are security concerns around sharing a cut, please contact us directly and we can work out a more secure submission protocol. 

Each invited project is assigned a “primary” mentor in advance of the retreat. That mentor will watch your film ahead of time and serve as an “older sibling” as you navigate the retreat. But, by design, all mentors work with all filmmakers over the course of the retreat. Mentors are not there to tell you “how” to make any changes, but more “guide” you to amplify your inner voice.

Each day we screen one or two projects and have long, in-depth group discussions about the projects. We include a lot of time for walks, swims, and casual conversations. Peppered throughout the retreat you’ll also have a series of one-on-one meetings with all of the mentors. And, of course, documentary fishbowl. 

Short answer is “NO.” 

Projects that have already received support from Catapult or True/False are encouraged to apply to the RCR – though there are no guaranteed spots.

While the RCR is a project of Catapult & True/False, there’s no obligation to screen your films at True/False (though we certainly hope you apply) – and there should be no expectation of additional Catapult support following the retreat. RCR projects, when they do apply to T/F, are screened by programmers who haven’t seen previous cuts.

For selected films, we ask that the Rough Cut logo be included in the final film.

The RCR is, first and foremost, for directors. This is your chance to step away from your edit and get a sense of what other people are seeing in your film. We strongly discourage any editing at the retreat – instead take this time to try and gain perspective on your next steps. With all that said, you’ll know best whether you should attend solo or with an Editor or Producer. If you want to attend with a different team member than listed here, please provide additional details on why in your application and we will consider on a case-by-case basis.

Absolutely. That said, our screeners will be looking for significant editorial progress before recommending the film move forward in the process. 

No. However, travel expenditures for Rough Cut Retreat are based on the cost of domestic (US) travel only. International attendees will receive an equivalent partial stipend.