True/False Film Fest

A hunting we will go, as master Ulrich Seidl escorts us to Namibia, accompanied by a retro, Austrian family.

Lord of the Flies on a French playground, as filmed by True Vision recipient Claire Simon.

An eccentric, era-hopping essay about a Baltimore that is born and reborn daily, presided over by some four-footed denizens.

Filmed on every active line of the Thai railway system, this humanistic gem flits between passengers, eavesdropping on their conversations.

A beguiling, kid’s-eye view of a Dutch classroom run by an everyday hero.

Cate Blanchett shapeshifts from hobo to rocker to anchorwoman and beyond, audaciously proclaiming 50 versions of The Future.

Elation and disappointment swell and break in three ethereal portraits of young love from Hawaii, Alaska, and New York City.

Counterculture icons the Grateful Dead were an unlikely utopian experiment illuminated by five decades of recordings and photos. The runtime includes a 20-minute intermission.

Lindy Lou sets out on an unconventional road trip across the South, tracking down her fellow jurors who sentenced a man to die.