True/False 2025 Poster Art
The annual True/False poster is a one-of-a-kind collaboration between the True/False curation team and an artist whose work speaks to the design theme. This year, we worked with Jiawen Chen to take on the task of visualizing time.
Time flies, like a shuttle weaving an intricate web of human activities. This web captures the stories of generations—their struggles, dreams, and achievements—building layer by layer. Over time, human civilization has grown, with every moment adding to its progress, much like stalactites forming in a cave, taking shape drop by drop. Similarly, every passing moment leaves its mark on history, shaping cultures, building communities, and driving progress. The passage of time defines our past and lays the foundation for the future.
Jiawen Chen is an illustrator now based in Guangzhou, China. She received her MFA Illustration as visual essay degree from School of Visual Art in 2020. Her clients included Apple, Service Plan, Harvard Business Review, L.A Times, Harper Collins, NYT For Kids China, Stella Magazine, OPTO Magazine, Fashion Cosmopolitan China. Most of her illustrations are created digitally. She prefers to compose her creations with abstract ideas and is interested in symbolism to visualize her thoughts.
2025 Artist Residency
Launched in 2023, the True/False Artist Residency program is a virtual residency consisting of five weeks of online sessions and culminates in an in-person exhibition of artist installations during True/False Film Fest. The virtual residency provides visual artists a platform for cultural exchange, networking, and creative exploration, allowing artists to connect and collaborate regardless of geographical constraints.
BETHANIE IRONS
Bethanie Irons (she/her) is an artist, educator, and curator living in Columbia, Missouri. She received her PhD in art education from the University of Missouri, MFA in art from the University of Missouri, and BFA in art from the University of South Dakota. Driven by color, form, and symbolism, Irons works in various media to find and reflect meaning in the patterns of the everyday.
YIRAN GUO
Yiran Guo (éƒé€¸ç„¶) lives and works in Shanghai and New York. Her work ranges across experimental animation, printing, painting and ceramics. Recent residencies include the EFA Robert Blackburn Printmaking Workshop, EFA North Fork and SVA Riso Lab. Her experimental animation has been screened in film festivals around the world, and her self-published artist book Höuse is held in the New York Public Library. She has an MFA from Maryland Institute College of Art and has taught at Johns Hopkins University.
COCO LIAO
coco liao is a multimedia artist living, loving, birdwatching, and rooting for earth over empire at the confluence of the Mississippi and Missouri rivers. They make large ceramic figures who may serve as surrogates and guardians to hold our big anger, memory, and possibility in a time of collapse and rebirth when our human bodies feel they cannot. Â Â
KAITI MCGINN
Kaiti McGinn is a natural dyer and quilter in southeast, MI. While making fiber art started as a creative outlet, it slowly merged with her passion for education. Kaiti integrates her teaching background with her art by creating experiences to share knowledge and form connections. She realizes the foundations of a classroom can exist in any space through play, which she brings into her art pieces. By gathering found and natural material, she follows an improvisational process leading to unique works of art.
LOUIE PALU
Louie Palu is a photographer and filmmaker whose work has examined social political issues. He is best known for hybrid approaches to creating work that incorporates art and documentary. Louie’s projects have been selected for a Guggenheim Fellowship and World Press Photo Award, and has appeared in The New York Times, The Guardian, and Dok Munich Film Festival. His work is held and been exhibited in numerous collections including the Museum of Fine Arts Boston and National Gallery of Art. He is a graduate of the Ontario College of Art and Design and holds an MFA from the Maryland Institute College of Art.
NADYA SAYAPINA
Nadya Sayapina is an interdisciplinary artist, born in Minsk, Belarus, in 1989. She graduated in Arts and Crafts from Belarusian State Institute of Culture and Arts in 2011, and obtained a Master in Art Studies at the National Academy of Sciences of Belarus in 2012. Nadya works in the field of socially engaged and community based art. In her works she combines performative and participatory approaches, interviewing, archiving, multimedia installations, drawings, and texts in order to bring out the multi-layered voices of the socially and politically excluded. She regularly participates in international exhibitions and art residences. Nadya was a fellow of Goethe Institute, Martin Roth Initiative, CEC Artslink, and a guest lecturer at HFBK University of Fine Arts Hamburg (2021-2022). Nadya left Belarus in 2020 after serving an arrest for participation in art action against violence. Shefirst moved to Ukraine, then to Germany and Poland. During this period, she worked extensively on the theme of forced migration in her multipart project ‘Letter to Mom’. She was nominated for the Stage Debut Awards 2024, UK for the set design of the ‘King Stakh’s Wild Hunt’ opera by Belarus Free Theatre premiered at Barbican Centre, London. Nadya is currently based in Warsaw, Poland.
ANGELA TUCKER
Angela Lynn Tucker is an Emmy and Webby-winning filmmaker, multidisciplinary artist, and storyteller based in New Orleans, LA. Her career is focused on highlighting the nuanced interiority of Black women.
Her work has screened at festivals globally and broadcast on NBC, PBS, Netflix, and Lifetime, amongst others. She recently completed her first solo exhibition at The Diboll Gallery. Her newest documentary, The Inquisitor, about political icon Barbara Jordan, will broadcast on PBS in 2025. But she is proudest that her film on forced sterilizations in California prisons helped lead to $7.5 million in reparations for survivors.
Angela is a member of the Academy of Motion Picture Arts and Sciences and has received fellowships from Film Independent, Sundance Institute, Firelight Media, andChicken & Egg. She received her BA in Theater and African-American Studies from Wesleyan University and her MFA in Film from Columbia University.
MEGAN YOUNG
Megan Young presents computational renderings, experimental animations, sculptures, and interactive installations throughout the US and internationally. Notable credits include solo exhibitions and commissions for the Armenia Art Fair (Yerevan), Art Souterrain (Montreal), International Symposium on Electronic Art (Hong Kong), Open Engagement (Chicago), Ammerman Center for Art + Technology at Connecticut College, and SPACES (Cleveland). Recognition for her work includes two Ohio Arts Council Individual Excellence Awards, Knight Foundation technology grant, The Satellite Fund grant, and features in Hyperallergic, The Atlantic, and on NPR.
Artist Residency Guest Speakers
JESSICA MAY
Jessica May is the executive director of Kemper Museum of Contemporary Art in Kansas City, Missouri. Prior to joining Kemper Museum, May served as the vice president, art and exhibitions for The Trustees of Reservations, the nation’s oldest land conservation organization, and the artistic director of the deCordova Sculpture Park and Museum, Lincoln, Massachusetts. In her dual role, she demonstrated her dedication to engaging art and the environment, overseeing arts initiatives at the deCordova as well as across the Trustees’ statewide network of over 120 scenic and historic places, including recent commissions by artists by Rose B. Simpson, Hugh Hayden, and Meghann Riepenhoff as well as a commission by Jean Shin opening in spring 2024. She is co-author of the publication, Second Nature: Photography in the Age of the Anthropocene (Rizzoli). In her previous positions she served at the Portland Museum of Art, Maine, the Amon Carter Museum of American Art in Fort Worth, Texas, and the Metropolitan Museum of Art. She graduated from Barnard College and earned her M.A. and Ph.D. from the University of California, Berkeley.
Cynthia Post Hunt
Cynthia Post Hunt is a curator and artist based in Northwest Arkansas. Through a fluid practice of connection and collaboration, Post Hunt explores commonalities within the shared human experience. Practice as research, she creates rituals, games and gestures surrounding the self, loss, and death. Time, memory, and the body are integral materials in her work. Post Hunt is deeply invested in the research and presentation of Live Art, working as the Curator of Performance at Crystal Bridges Museum of American Art & the Momentary and the co-founder of INVERSE Performance Art Festival. She holds a Masters in Curating with a thesis in artist-run practices influencing institutional spaces from the University of Aarhus in Denmark, and a Bachelor of Fine Arts from the School of the Art Institute of Chicago.
Claudia Bueno
Claudia Bueno is an internationally recognized Venezuela born artist renowned for creating immersive technological wonders using light, sculpture and sound. Her mesmerizing multi-dimensional displays of captivating light and intricate composition transmit a quality of timeless spaciousness that viewers simultaneously lose and find themselves in.Â
Lights, motors, circuits, sound, wind, and video power her creations with pulsations and movements that emanate from Claudia’s uniquely personal creative language. Detailed drawings, meticulous cutouts and elaborate structures leave evidence of the intimate dedication the artist has with her work. Â
Through her own intricate process of immersive suggestion Claudia creates large scale, multi-sensory light installations that communicate a profound sense of wonderment and awe. Designed to guide spectators on a contemplative journey these hypnotic worlds are populated by signatures of life from micro to macro, existing in communion and living as one interconnected cosmic web. Fluidly pulsating colors and ever evolving sounds make the creations come all the more alive.
Claudia has been inviting adventure and collecting cultural experiences that enrich her life and inspire her creative process since leaving Caracas at the age of twenty. Strongly committed to inner healing and spiritual growth, Claudia fills her art with a quality of mystical curiosity that mirrors her personal fascination with Energy, Consciousness and Nature – ultimately transforming her art into a celebration of Life and Creation.
Shahzia Sikander
Shahzia Sikander is widely celebrated for subverting Central and South-Asian manuscript painting traditions and launching the form known today as neo-miniature. Born in Lahore, Pakistan, Sikander earned a B.F.A. in 1991 from the National College of Arts (NCA) in Lahore. Sikander’s breakthrough work, The Scroll, 1989–90, received national critical acclaim in Pakistan and brought international recognition to this medium within contemporary art practices in the 1990s. Sikander received her M.F.A. at the Rhode Island School of Design in 1995. Over the subsequent twenty plus years, Sikander’s practice – which has expanded to include paintings, media work and most recently, sculpture, has been pivotal in showcasing art of the South Asian diaspora as a contemporary American tradition.Â
Sikander’s Solo exhibitions include the Museum of Fine Arts, Houston in Texas; the Morgan Library and Museum in New York; the RISD Museum in Providence, Rhode Island; Jesus College in Cambridge, United Kingdom; the MAXXI National Museum of 21st Century Art in Rome; the Guggenheim Museum in Bilbao, Spain; the Museum of Contemporary Art in Sydney; the Hirshhorn Museum in Washington, D.C.; and the Whitney Museum of American Art, among many others. Sikander has also been featured in group exhibitions, most recently at the Royal Academy of Arts in London, and other international venues, including the Sharjah Biennial 11; the 8th and 13th Istanbul Biennials; the National Portrait Gallery in Washington DC; the Museum of Modern Art in New York; the Museum of Contemporary Art in Tokyo; the 54th Venice Biennale in Italy; and the Whitney Biennale in 1997, among others. Sikander has been the recipient of many notable awards, including most recently the Pollock Prize for Creativity in 2023, the Fukuoka Arts and Culture Prize in 2022, the Asia Society Award for Significant Contribution to Contemporary Art in 2015, a medal of Art by the U.S. Department of State in 2012, and a MacArthur Fellowship in 2006. Sikander’s work is in the collections of all major national and international museums, and permanent site-specific public artworks include the University of Houston, Princeton University, the Cincinnati Art Museum and Johns Hopkins University. Sikander serves on the boards of Art21, the Rhode Island School of Design, and the Institute of Fine Arts, New York University, and is a member of the Asian American Arts Alliance’s artist council. In January 2023, Sikander was an adjunct professor for Columbia’s Institute for Comparative Literature and Society. She is currently an adjunct professor for Brown University’s Department of the History of Art & Architecture, and is the Alan Kanzer Artist-in-Residence at Columbia’s Zuckerman Institute of Mind, Brain and Behaviour. In conjunction with her traveling exhibition, an extensive monograph examining Sikander’s work entitled Extraordinary Realities was published in 2021 by Hirmer Publishers and The University of Chicago Press.Â
Sikander’s major new outdoor project, NOW, an 8-foot bronze female sculpture, is currently on the roof of the Appellate Courthouse in Manhattan. An accompanying 18-foot female sculpture, Witness, was exhibited in Madison Square Park in 2023, and has since traveled to the University of Houston. The second edition of NOW was acquired by The Newark Museum of Art in 2023. Sikander’s animation Reckoning, her second display as part of Times Square’s Midnight Moment, and Singing Suns, displayed across screens in Moynihan Train Hall from November 2023 to January 2024, have been a part of two recent major public art programs. A survey exhibition, Shahzia Sikander: Collective Behavior presented by the Cleveland Museum of Art and Cincinnati Art Museum as a Collateral Event of the 60th International Art Exhibition – La Biennale di Venezia, will be on view until October 20th, 2024.
The 2025 art installations will be announced in January 2025.
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