Interview with Sarah Gavron, Director of Suffragette

True/False caught up with Sarah Gavron, Director of SUFFRAGETTE, which opens today in select US theaters, to talk about connections between her documentary work and her current endeavor. T/F: Both SUFFRAGETTE and VILLAGE AT THE END OF THE WORLD (T/F 2013) are based on real stories. Could you talk about the process of making films … Continued

Meet Our New Film Programmer

We are thrilled to announce the hiring of Pamela Cohn as our newest programmer! Cohn will work alongside David Wilson, Paul Sturtz, and Chris Boeckmann, to curate the film lineup. Originally from Los Angeles, Cohn moved to Berlin, Germany in 2010 and soon after became an associate programmer for DokuFest, a documentary and shorts festival … Continued

Stimulating Life: A Conversation with Khalik Allah of ‘Field Niggas’

Khalik Allah “Field Niggas” Preview from Khalik Allah on Vimeo. Set entirely at night, Field Niggas (T/F 2015) takes us to the corner of 125th Street and Lexington Avenue in Harlem and introduces us to its faces. Not just avoiding but repudiating condescension, director Khalik Allah’s camera, a longtime, welcome presence in the neighborhood, spotlights … Continued

Back to School with Amanda Rose Wilder of ‘Approaching the Elephant’

Note: This interview first ran in April 2014, when Approaching the Elephant screened at the Sarasota film festival. We are sharing it again in honor of the film’s theatrical premiere at the Independent Film Project in Brooklyn, NYC where it is playing through February 26.   Amanda Rose Wilder’s debut feature Approaching the Elephant spies into the … Continued

Remembering Malik Bendjelloul

We’re still reeling from the punch to the gut we received a few weeks ago, the news of the sudden death of our friend, the Swedish director Malik Bendjelloul. We met Malik in 2012 when he came to T/F with his first and sadly only feature, Searching for Sugar Man, the story of the rediscovery of … Continued

A chat with ‘Computer Chess’ Director Andrew Bujalski

Andrew Bujalski’s work has made a major impact on independent film during the last decade. His first two films, Funny Ha Ha (2002) and Mutual Appreciation (2005), inaugurated the “mumblecore” movement, a genre utilizing minimal production costs and an extremely naturalistic approach to dialogue to create intimate studies of the lives of 20-somethings. His new film, Computer … Continued