True/False 2021 will be an outdoor, communal celebration of resilience and the arts. Running from May 5 to 9, True/False will primarily inhabit the 116-acre Stephens Lake Park for an in-person experience that maintains awareness of current circumstances, meets a need for shared joy, and delivers the world-class cutting edge nonfiction film, music, and art—hallmarks of the festival.
Within the park, there are four spacious fields that the T/F team of technicians, artists, and crafters will transform into outdoor cinema venues. At all outdoor venues, physical distancing markers will be established and enforced.
There is also a drive-in venue (outside of the park), with nightly screenings, located in the lot of the Holiday Inn Executive Center.
Finally, Ragtag Cinema is an indoor option with limited (physically distanced) seating. Private screenings (for Super Circle passholders only) will take place during the day, with prime-time evening screenings available during general passholder reservations.
SLED HILL 
Presented by: Simmons Bank
Named for its peak wintertime activity, the Sled Hill screen will be northeast of the upper parking lot, adjacent to the east edge of the lake. We recommend bringing a blanket and not a chair to sit on when watching films at Sled Hill due to the steeper slope of the eponymous hill. (#21 on Columbia Parks & Rec map)
TWELVE POINT 
Presented by: Veterans United Home Loans
Named for the majestic stag our crew spotted on the first night we scouted the park, Twelve Point will be located in the field northwest of the open play field, due north from the East Parking Lot. It’s the second biggest film screening venue, the biggest concert venue, and offers minimal slope; equally friendly to chairs and blanket seating. (NW of #22 on Columbia Parks & Rec map)
SHOWTIME DOCUMENTARY FILMS AMPHITHEATER 
This prime pre-existing venue in the park is now a tried and true outdoor films spot: you may have already gotten a taste during our screening events this past fall! The slope here makes most seating better suited to blankets, but there are also some flat, chair-friendly sections for both films and concerts. (#15 on Columbia Parks & Rec map)
Presented by: Missouri Department of Conservation/Trees Work
Named for an abundance of saplings that one must carefully navigate between—at least when trying to fit a screen and projector into a park field—Sapling is the smallest (films only) venue, and of all venues, offers the least slope—great for chairs and blankets alike. (Due west of #30 on Columbia Parks & Rec map)
THE EXECUTIVE DRIVE-IN 
Presented in partnership with our friends at the Holiday Inn Executive Center, the True/False Drive-In is a short 10-15 minute drive from Stephens Lake Park, and offers patrons another way to experience T/F in person, but in a car. There will be one screening here per night (Wed-Sun). Tickets are reservable (by car) by passholders; individual tickets are $40/car and will go on sale April 20 at noon, while supplies last.
The Ragtag story begins in 1997 when Paul Sturtz met David Wilson at a show by Mr. Quintron at the now-shuttered Shattered nightclub. The last downtown movie house had gone dark, and so they concocted the Ragtag Film Society. Richard King opened the Blue Note to them Sunday and Wednesday nights, and they showed the first film in 1998 with a couple of “borrowed” 16mm projectors. Cut to three bright entrepreneurs — medievalist Tim Spence, farmer Holly Roberson and baker Ron Rottinghaus — who schemed how to make Ragtag a seven-day-a-week storefront cinema, which opened in 2000 and moved to its current digs in 2008. “Hittsville”, as we like to call it, was built in 1935 and first used as a Coca-Cola bottling factory and then as the Kelly Press printing plant. In 2013, the smaller and cozier auditorium was renamed “The Willy Wilson Theater” after the Scottish-born actor, designer, math teacher—and father of David Wilson. Ragtag is sometimes credited with saving Columbia, but people tend to exaggerate about such things.
For reference, below are our 2020 Fest venues, as the move to an outdoor Fest is exciting, but temporary!
Jesse Hall, centerpiece of the University of Missouri, is named after Richard Henry Jesse, an early president of the university. In 1895, the hall replaced the original administration building, Academic Hall, which had been destroyed by fire three years earlier. The columns from that building still stand in the center of Francis Quadrangle. The high dome, which is visible from many parts of the city, was inspired by the dome on the 1870s Connecticut State Capitol building. In 1954, an addition on the east side allowed the expansion and renovation of Jesse Auditorium as a live venue. In 2015, Jesse was closed for repairs, but is once again the largest T/F venue for the 2019 fest.
The Missouri Theatre Center for the Arts is Columbia’s last and grandest movie palace. It opened in 1928 with Buster Keaton’s Steamboat Bill Jr. In 1953, Commonwealth Theatres bought the theater and ran it into the ground in the 1980s before selling it to United Artists, which wanted to gut the theater to turn it into a multiplex. Thankfully, it was saved in 1987 when the Missouri Symphony Society bought it for their new home. In 2001, Ragtag and the Symphony Society began raising funds for a new projector; on November 15, 2002, the theater showed its first 35mm feature in almost 15 years, a sold-out screening of sing-along Sound of Music. The theater saw a multi-million-dollar makeover in 2008 and was purchased of the University of Missouri in 2011, securing a long and glorious future. In 2015, T/F and the university joined forces to purchase a digital projector.
The Blue Note has been a Columbia institution for concerts and more since 1980. The seed was planted in 1975 when Philadelphia native Richard King, on his way to California, made a detour to visit his friend Kevin Walsh, a graduate student at MU. Five years later, after a stint presenting shows at a downtown hotel, King partnered with Phil Costello, a bartender at Brief Encounter (on the Business Loop, now Club Vogue). They bought the bar and renamed it The Blue Note, and it became a haven for the best independent rock of its day: REM, Pixies, the Replacements. Then King learned that an old vaudeville house (the Varsity Theater) was for sale. The Varsity was built in 1927 by Tom C. Hall, a prominent businessman involved with several other theaters in town. In 1990, King moved The Blue Note and restored tiered seating in the balcony. After 34 years, King passed the torch to Scott Leslie and Matt Gerding (a Columbia native), who had established the Majestic Theatre in Madison, Wisconsin. In 2014, the duo spiffed up the interior and kicked off a new era for a storied downtown icon.
For the sixth straight year, the festival is hosted at Missouri United Methodist Church’s 2006 annex, built on the burial grounds of a Wendy’s restaurant. This two-story, stucco-covered building is a prominent feature in the gateway between downtown and the University of Missouri campus. The gorgeous Gothic revival church to its north features Indiana limestone walls with massive pointed arched openings and slender peaked buttresses. It opened in 1929, within a year of the Missouri Theatre’s opening across the street. Fortunately, construction finished before the stock market crashed. One of the most distinctive features of the old church is the cozy, 135-seat McMurry Chapel, named after the bishop who supervised the building project. T/F hosts our Field Sessions in this hushed, inspirational space.
One of four buildings housing the famed MU School of Journalism, Gannett Hall was designed by PBNL Architects in 1976 with a post-war American modernist architectural style, in the vein of Louis Kahn (fun fact: about a decade later the firm became PBNI and went on to design the tallest building in Missouri). It was completed in 1979 with partial funding from The Gannett Company, the largest newspaper publisher in the U.S. Historically home to Broadcast, Radio, and TV journalism classes, as well as KBIA, the building now houses the School of Journalism Graduate Studies, hosts forums for international visitors, Picture of the Year International, workshops for the National Institute for Computer Assisted Reporting, and undergraduate advising.
With its 90-foot-tall bell tower featuring a gold cross against a blue mosaic tile panel, the First Presbyterian Church is a noted landmark in downtown Columbia, just to the south of Ragtag’s “Hittsville” complex. Built in 1966, the church building is the latest incarnation of a congregation with deep roots here — it is the second oldest church in Columbia, having started at Tenth & Broadway in the 1820s. In the Vietnam era, the church started to host the Chez coffehouse in its basement; the Chez swarmed with pickers and grinners of all kinds, becoming one of Columbia’s biggest alternative havens. The venue continues on an occasional basis to this day. In 2009, the church built a fellowship hall; in 2011, it graciously opened its doors to T/F, which it gives an international theme for the weekend.
Originally a salesmen’s hotel, the Tiger Hotel and its eponymous sign beckoned weary travelers from the Wabash Railway Station. The rise of the automobile sparked the first changes at the Tiger, including a fully motorized parking structure that could lift a guest’s vehicle into its designated slot. But the interstate system choked off the flow of guests, as a string of highway motels opened and downtowns became less popular. After being remodeled into a senior living center, the Tiger changed hands again in 2003. John Ott, Dave Baugher, and Al Germond re-lit the Tiger sign for the first time in 30 years and held the building until selling it to British businessman Glyn Laverick. He converted the Tiger into a luxury boutique hotel with 62 rooms and suites, opened in time for the 2012 festival. The ballroom is credited as the site of the birthplace of the modern conservation movement, when a group formed in 1935 developed into the Missouri Department of Conservation. For the fest, True/False renames the ballroom after local journalist and musician Forrest Rose, whose graceful prose and soulful community spirit embodied the very best of Columbia.