In this personal odyssey and ghost story, a young Hong Kong filmmaker autopsies a complex web of family secrets. (Plays in Release Me, Let Me Go)

It’s been five years since Lulú’s eight-year-old son and husband were kidnapped. All that was left was her husband’s shoe. With tremendous poise and her daughter by her side, she continues to search. (Plays in Release Me, Let Me Go)

After discovering the Google, a 90-year-old Jewish woman decides to try bacon for the first time in her life. Is she going to hell? (Plays with Thy Father’s Chair)

A quietly devastating look at a family of Ponderai Native Americans as they travel to Yellowstone to preserve their treaty hunting rights. (Plays in Stand Beside Her and Guide Her)

The iconoclastic filmmaker Guy Maddin infiltrates the set of an Afghanistan war drama directed by “the great Canadian populist,” Paul Gross, and exposes its rotten core. (Plays in My Best Fiasco)

The director calls his younger sister, and after some nasty but good-natured ribbing, the conversation unexpectedly takes a turn. (Plays in You Just Can’t Win)

This vivid and stirring short brings us up close with Concerned Student 1950, a collective of Black student activists at the University of Missouri, during their history-making protest, which resulted in the resignation of the university’s system president. Presented with Field of Vision. (Plays at 11:30pm Saturday, March 5 at Missouri Theatre. Those attending 9:45pm screening of Secret Screening Navy are welcome to stay for the short. For those not at Secret Screening Navy, True/False will be passing out a separate, free, Q starting at 10:30pm.)

Mayelín roams Havana’s streets, handing out citation after citation in this absurdist look at Cuban bureaucracy. (Plays in You Just Can’t Win)

Milk, oil, EDM and Aretha bring us out of body and closer to the cosmos in this sensorial knockout. (Plays with Another Country)

In Brooklyn, a passionate dance instructor is determined to instill grace into the footwork of her disinterested teenage students. (Plays with Secret Screening Aqua)

In an historically Black neighborhood of Cincinnati, a family closes shop as new residents roll in on their Segways and craft beer carts. (Plays in Stand Beside Her and Guide Her)

A chilling, unrelenting tour of Colombian violence that ricochets from dye-stained rivers to fruit stands to underground punk shows. (Plays in My Best Fiasco)

The Palestinian-Israeli peace talks take the shape of a symphony in this punchy short from two-time T/F alum Martin Ginestie. (Plays in You Just Can’t Win)

With her inebriated father passed out on the couch, an aspiring hairdresser from Krakow chats with her elusive online lover. (Plays in You Just Can’t Win)

In South Africa, a young family of Syrian refugees huddle around a laptop in their one-bedroom apartment, awaiting news from home. (Plays in My Best Fiasco)

Private investigator Louis Akin walks us through a life-size reconstruction of an American military base shooting, providing a precise history of violence. (Plays in Stand Beside Her and Guide Her)

Inspired by the Los Angeles riots, a power hungry nine-year-old tries his hand at filmmaking. (Plays in My Best Fiasco)

Harrowing police scanner audios are set against placid landscapes in this urgent treatise on an American epidemic. (Plays in Stand Beside Her and Guide Her)

A transfixing, up-close look at the monkeys of Gibraltar as they dodge the government’s peashooters. (Plays in You Just Can’t Win)

In 1973, gay country singer Patrick Haggerty released 1000 copies of his landmark album Lavender Country. Forty years later, he still hasn’t lost his edge. (Plays in Stand Beside Her and Guide Her)

At a ballet school in Saint Petersburg, two young sisters find themselves pushed to their limits in this tender, masterfully directed short by T/F 2012 True Vision recipient Victor Kossakovsky. (Plays in Release Me, Let Me Go)