We have all once more parted ways. It’s always a little sad to realize that the festival is now part of the past. But hopefully True/False 2015 is now part of a past we can carry with us and live together inside of for years to come.
Jarred Alterman’s final prefeature micro film “The Bottle Hunter” considers messages sent through time, arriving in the present through a window of time. Hopefully a few of the thousands of ideas, impressions, feelings and experiences that we shared this weekend will arrive suddenly in your present at a time you least expect it.
We sprung forward into the final day of T/F 2015, meaning the 9:30 screening of The Visit came extra early at the Missouri Theatre. Michael Madsen’s hypnotic simulation of humanity’s first encounter with alien intelligence features interviews with international officials who actually develop protocol for such an occurrence.
Meanwhile, at the Oddfellows Lodge everyone chowed down at the Weird Wake-Up before entering the theater for a double bill mid-length films about art curation and time: Abandoned Goods and Jeff, Embrace Your Past.
On Sunday, long time friend Gabe Williams guided the ever-popular Art Ramble through downtown Columbia, highlighting the art installations during True/False. He spoke about the ephemeral nature of True/False’s art and the temporary nature of all of our human achievements. One of the pieces considered was Duncan Bindbeutel The Frozen Man located outside of Ragtag Cinema.
Sunday afternoon at The Missouri Theatre hosted director Nick Broomfield’s Tales from the Grim Sleeper, which investigates the community and police response (or lack thereof) to a serial killer’s 20-plus year killing spree of young women in South Central L.A. Broomfield was joined on stage by Pam Brooks, a woman from the area who becomes an ad hoc investigator in the film.
At our rookie venue Cornell on the MU campus, T/F 2015 concluded with a screening of Finders Keepers, a hilarious and poignant film about the custody battle over a severed foot.
Later at the Vimeo Theater at the Blue Note, T/F concluded with a screening of Episode Five of The Jinx: the Life and Deaths of Robert Durst, the HBO nonfiction series. Before hand, David explained his excitement about the potential for long form nonfiction on television that the series represents. Afterwards, filmmaker Marc Smerling discussed episode’s startling developments, while carefully avoiding spoilers for next week’s finale.
And at the Missouri Theatre, a huge crowd gathered for the always bittersweet Busker’s Last Stand, where a huge array of T/F 2015 musicians performed in unison.
True/False is only possible because each and every year hundreds upon hundreds of volunteers joyfully contribute their time and labor. We can not let the fact that they show up each and every year make us complacent in recognizing how remarkable this is. Thank you to our volunteers. You are incredible.
The hardworking T/F Video team put together this short piece as one expression of our gratitude.
Another way we try to say thank you is our Sunday night volunteer party. Our party team spent countless hours transforming an undisclosed location into an indescribable party space. Once again, it was the best party of the year. Each room offered specific delights as we all spent a feel hours drinking, talking and dancing inside of some sort of strange utopia.
Thank you again to everyone who made this possible. True/False 2015 may be past, but we will try to keep the conversation about the art of nonfiction cinema going, both here on our website and out in the world, through the weeks and months ahead until we all come together again March 3, 2016.
-Dan Steffen
Minister of Propaganda
True/False Film Fest