Panels

T/F 2014 Panels Now Available as Videos or MP3s

T/F’s panel discussions bring together film directors, visual artists and film critics for candid conversation on the hows and whys of their crafts. Sometimes overlooked in the whirlwind of T/F weekend, we’ve now made the complete set of T/F 2014 conversations available to watch on our video page. Or if you’d like to take a panel with you on a jog or to the grocery store, click on any of the titles below to find an audio mp3 you can stream or download. All of these discussions were preserved thanks to the hard work of our media partners at Columbia Access Television.

The Critical Takedown

Nonfiction films entering the world are still plagued by two types of criticism. There’s “be nice, this topic is worthy” damnation by faint praise for films with “important” issues, and the “Where’s the context?!” stigma faced too often by more personal or artful films. How to strike a balance and what DOES creative nonfiction need from critics? Sam Adams, the editor of Criticwire engages three cranky malcontents (i.e. critics), Nick Pinkerton, Ela Bittencourt and Adam Nayman, who have all the answers.

Making Magic/Realism

T/F 2014′s visual theme of magic/realism suggested an intersection between the mundane and the fantastic. But it wasn’t until visual artists from all over the country offered their creative sparks did the theme come alive. Artist and writer Anne Thompson coaxes magic from T/F bumper director Jarred Alterman, T/F 2014 poster artist Akiko Stehrenberger, sculptor Taylor Ross, who made the interactive mechanical sculptor in the Missouri Theatre lobby, and “TransPlant” pod installation artist, Leland Drexler-Russell.

Lies My Subject Told Me

Present tense films are crafted through an agreement between filmmaker and subject, but sometimes the bond is broken. During these fragile moments, the foundation of the relationship is questioned and a new trajectory takes hold. Hot Docs director Charlotte Cook hosts Robert Greene (Actress), Maxim Pozdorovkin (The Notorious Mr. Bout), Jesse Moss (The Overnighters) for a discussion on deception.

Beyond Pretty Pictures

What was previously off limits is now possible through affordable, lightweight equipment, and low-cost DIY hacking. Increasingly light-sensitive cameras liberate filmmakers to capture nighttime scenes; miniature, waterproof cameras are cheap; skeleton crews allow subjects to feel more comfortable revealing themselves. T/F alumni Omar Mullick quizzes Linda Västrik (Forest of the Dancing Spirits), Ewan McNicol (Uncertain), and Victor Kossakovsky (Demonstration) on how they harness technology to tell better stories.

Place is the Space

Nonfiction filmmakers locate vivid places and people whose stories jump off the screen – then they sift and winnow to find the soul of the place. True/False mascot Beadie Finzi chats with Tracy Droz Tragos (Rich Hill), Sherief Elkatsha (Cairo Drive), and Mark Levinson (Particle Fever) who reveal how they cast films where settings don’t act as backdrops but as stars in their own right.

Africa is Not a Country

To a Western mind, Africa may appear as a slideshow of slums, safaris, refugees, and marathon runners. In a clutch of T/F 2014 films, though, outsider filmmakers avoid shopworn stereotypes to tell distinctive stories from a diverse continent. T/F ringleader Ingrid Kopp asks Tobias Janson (Concerning Violence), Rachel Boynton (Big Men), and Joe Callander (Life After Death) how they circumvented the pitfalls.

Posted October 7, 2014

‘Beyond Pretty Pictures’ Panel

Technology continues to revolutionize documentary filmmaking. Increasingly light-sensitive cameras liberate filmmakers to capture nighttime scenes; miniature, waterproof cameras are cheap; skeleton crews allow subjects to feel more comfortable revealing themselves. In this year’s “Beyond Pretty Pictures” panel, these ongoing innovations serve as the jumping off point for a wide ranging conversation on the art of nonfiction. Moderator Omar Mullick (These Birds Walk) quizzed Linda Västrik (Forest of the Dancing Spirits), Ewan McNicol (Uncertain), and Victor Kossakovsky (Demonstration) on how they harness technology to tell better stories.

Check out this short clip, an exchange on how doc subjects see themselves on film and how they react to these reactions.

If this excerpt peaked your interest, you can watch the whole thing on our video page or download the conversation as an audio mp3. Our panels were filmed by our friends at Columbia Access Television.

Posted July 10, 2014

‘Making Magic/Realism’ Panel

This year for the first time, we featured a panel with the visual artists who transformed our city, turning the mundane into the fantastic through their own interpretations of “Magic/Realism”. The Odd Fellows Lodge hosted T/F bumper director Jarred Alterman, T/F 2014 poster artist Akiko Stehrenberger, sculptor Taylor Ross, who made the interactive mechanical sculptor in the Missouri Theatre lobby, and “TransPlant” pod installation artist, Leland Drexler-Russell. Artist and writer Anne Thompson led the group on a discussion of ideas and inspiration, which you can watch below thanks to our friends at Columbia Access Television.

You can take also take this conversation with you as a mp3 here.

If this chat sparked your own creativity, you should know that we are now accepting art installation proposals for T/F 2015 when our theme will be “The Long Now”.

Posted June 13, 2014

‘Place is the Space’ Panel

The sense of place is a fundamental aspect of cinema. In great films it is a part of every scene, a background presence that informs everything we see and hear.

Our panel “Place is the Space” investigates how filmmakers go about communicated this essential feeling. The panelists’ films take place in fascinating array of places, a small midwestern town struggling to hold on, a massive underground science experiment and a crowded city undergoing a major political upheaval. Moderator Beadie Finzi talks with Tracy Droz Tragos of Rich Hill, Mark Levinson of Particle Fever and Sherief Elkatsha of Cairo Drive.

This panel is available thanks to our friends at Columbia Access Television. You can also take this conversation with you as an mp3 here.

Posted April 17, 2014

‘Lies My Subject Told Me’ Panel

The delicate dance between filmmaker and subject took center stage in the “Lies My Subject Told Me Panel” at T/F 2014. Filmmakers Robert Greene (Actress), Jesse Moss (The Overnighters) and Maxim Pozdorovkin (The Notorious Mr. Bout) chatted about deceit and deception, what they decided to leave out and poetic vs. factual truth in documentary art. Here are a few excerpts featuring each of the three directors:

Watch a video of the complete conversation here, or take it with you as an mp3 here. Shout out to our dedicated media partner Columbia Access Television for capturing all of these conversations.

Posted April 10, 2014
 
 
 
   
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