Events

Gimme Truth! 2014 Program

Here’s the program for tonight’s Gimme Truth!

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The Vimeo Theater at The Blue Note
Plays with Best Sound Dir. Josh Polon; 2014; 6 min.

:::::YOUR HOST:::::
Johnny St. John -
This disgraced former game show host continues on what appears to be an interminable comeback trail. Paroled once again to host his seventh consecutive Gimme Truth!, Johnny St. John is here to relive his glory years before scandal brought him to his knees. Marrying the sardonic wit of ‘60s-era quiz show hosts with the razzmatazz of a pool shark, St. John has collected restraining orders from at least seven T/F filmmakers. Please don’t report him, and join in when he starts singing his self-penned Gimme Truth! theme song. Though we don’t condone his methods, after six years it’s hard to argue with results.

::::OUR CONTESTANTS::::
Brandy Burre – star – Actress
Brandy is a show tune chanteuse and stage and screen actress best known for her portrayal of campaign fixer Theresa D’Agostino on seasons three and four of The Wire. Her unflinching honesty and penchant for the spotlight makes her the quintessential Gimme Truth! contestant.

David Kaplan – star – Particle Fever
David is a theoretical particle physicist, which is a lot more impressive than a theoretical physicist. David works on the Higgs Boson and contributed rhymes to the Nick Cave song, “Higgs Boson Blues.” And don’t worry, he has plenty of time to entertain rudimentary questions about the universe.

Inna Shevchenko – star – Ukraine is Not a Brothel
As the leader of the controversial feminist organization, FEMEN, Inna’s bared it all for the betterment of women. Inna is trilingual (English, Ukrainian & Russian), and like most James Bond heroines, is a knockout beauty who’s been kidnapped by the Belarusian KGB. If the Cold War was still happening, the CIA would be carefully monitoring Gimme Truth. Instead, it’s the NSA.

ORDER OF PROGRAM:
1 – The Life of Wylie – Chase Thompson
2 – Ted Foulkes – Ken Ridgeway
3 – Toni – Brock Williams & Meedith Berkowitz
4 – Snake Charmer – LeeAnne Lowry & Hannah Bilau
5 – The Wizard of Odd – Aubrielle Maginness
6 – The Storage Medium – Tron Jordheim
7 – Rice Rice Baby – Kirsten Izzett & Livvy Runyon
8 – No. 8 – Maria Brenny & Mark J. Spencer
9 – Freedom Walkers – Chelsea Myers & Paul Mossine
10 – Cock Biting – Tucker Morrison & Jonas Weir
11 – Pat’s Life – Pat Holt

Posted March 1, 2014

True/False 2014 Fest Digest: Day Zero

Welcome to the True/False Film Fest 2014 Fest Digest! Here we’ll be gleefully taking on the impossible task of recapping the Fest, collecting stories, photos, videos along the way. Don’t forget to check back in, we’ll have a post each morning to help you relive the day that was.

It’s both marvelous and tragic that there’s just too much True/False to go around, and no way for any one consciousness to process it all. This digest, like all of you, will be plotting its own idiosyncratic course through the maze of music, art, panels, parties and cinema stretched out before us.

The theme of True/False 2014 is “Magic/Realism”. This alignment of words and symbols is perhaps a bit cryptic. One way we like to read it is as Magic sitting atop Realism, the fantastic’s victory over the mundane. Central to this conquest is the transformation of downtown Columbia, a place familiar to many of us, into somewhere very different for these four weird days. This was affected by the Herculean efforts of the T/F production team, numerous visiting and local artists and hundreds upon hundreds of T/F volunteers. Films will be playing at nine different locations, all within walking distance of one another downtown. All around and in-between you’ll find numerous art installations and surprises.

Our box office is always a central hub of True/False, where you’ll find tickets, merch and much more. This year it’s located at the corner of Hitt and Broadway. Artists Sabrina Braden and Sasha Goodnow reimagined this space as a Victorian-era parlor, cozy yet off kilter. As it opened for hustle and bustle of pass holder pick up, you could feel in the air that the T/F is finally here.

T/F 2014, Box Office, Pass Opening,

photo by Derek Jenkins

Most of our theaters are ephemeral, sliding in and out of existence with the Fest. For example, the ballroom of Columbia’s most prominent building, the Tiger Hotel, once-more became the metallic woodland of the Forrest Theater, so named for Forrest Rose, a well-loved Columbia columnist and stand-up bass player who we lost much too soon.

forrest

photo by Quint Smith

The major exception is Ragtag Cinema, downtown CoMo’s 365-day-a-year movie theater. Ragtag is our other half, a conjoined twin sharing numerous vital organs, including its dedicated staff and loyal patrons. Its two screens are located in the building now known as “Hittsville”, the home it shares with Uprise Bakery, Ninth Street Video and Hitt Records.

It was here our Neither/Nor series got underway for its second year. This program, presented by the Academy of Motion Picture Arts and Sciences, is an ongoing collaboration with a visiting film critic to map a history of “chimeric” cinema, films which defy classification as either fiction or documentary. This year Godfrey Cheshire is introducing four meta-cinematic Iranian films from the 1990s. He wrote an excellent limited edition monograph, available for free at the Ragtag box office, which skillfully situates these works within the broader history of Iran and its cinema.

IMG_4829

photo by Derek Jenkins

The first film in the series to screen was Close-Up, Abbas Kiarostami’s 1990 masterpiece built around the true story of a man arrested for impersonating filmmaker Mohsen Makhmalbaf.

T/F 2014, Big Ragtag, Neither/Nor, AMPAS

photo by Derek Jenkins

After the film, Godfrey told the incredible story of how he was instrumental in getting the Iranian government to allow Kiarostami’s Taste of Cherry to screen at Cannes, where it went on to win the Palme d’Or. He also talked about his visits to Iran, where conversations with Kiarostami and Makhmalbaf led him to see Close-Up‘s reconstructed reality as a “series of bamboozlements” by Kiarostami.

Later on, our music program began with a blast of punk rock at the hip downtown hangout Eastside Tavern. The first of 13 T/F music showcases featured performances from Fliight, Bruiser Queen, Comfort Zone and New Tongues.

T/F 2014, Eastside, New Tongues

photo by Derek Jenkins

Now the real excitement begins and we can’t wait to share it all with you. See you downtown and let the Magic/Realism commence!

Posted February 27, 2014

The Great Wall Honors the Career of Filmmaker Les Blank

The Great Wall is True/False’s outdoor movie screen: the massive, Shakespeare’s-facing wall of the Picturehouse Theater (aka the Missouri United Methodist Church). Join us for this free walk-up cinema on Friday and Saturday nights of the Fest from 7 – 11 pm.

This year, we will be celebrating the life and work of the renegade filmmaker Les Blank who passed away in April of 2013.

For more than 50 years Les Blank’s films preserved American subcultures that otherwise might have been forgotten. With a signature idiosyncratic style all his own, Blank captures the essence of a moment and brings it to life. Instead of the fly-on-the-wall method of his contemporaries (Wiseman & Pennebaker) Blank immersed himself in the communities of the people he turned his lens upon. It’s no surprise that Les Blank was only the second white man Lightnin’ Hopkins trusted.

His most well-known film Burden of Dreams is a fantastical look at Werner Herzog’s epic struggle to make his masterpiece Fitzcarraldo in the Amazon. Herzog once said of Blank “He has his own little universe that he creates with Burden of Dreams. If Burden of Dreams was only the making of Fitzcarraldo it would have been lousy. He was beyond my comprehension. I only knew the man was a very, very good filmmaker.” Blank had a particular knack in establishing a strong sense of place: everything in the frame relates back to the environment in which it occurs.

Burden of Dreams

Blank’s films serve as an important anthropological preservation while pushing the cinematic form of documentary forward. True/False has decided to feature four of his earlier works which would go on to establish him as a force. Dry Wood (1973, 37 min.) and Hot Pepper (1973, 54 min.) capture the daily life of French-speaking blacks in southwestern Louisiana’s Cajun country. A Well Spent Life (1972, 44 min.) and The Blues Accordin’ To Lightnin’ Hopkins (1970, 31 min.) are two great ethno-musicological films lit by Blank’s fascination in the cultures, history and music of the now well-known blues musicians Mance Lipscomb and Lightnin’ Hopkins.

lightninhopkins.19709

At 7:10 on Friday, Jim Bogan, a writer, filmmaker and professor who is also an old friend of Blank’s, will kick-off The Great Wall by leading a toast in honor of Blank’s life and work.

Posted February 21, 2014

Calling All Students! Get a Free Taste of the Fest with T.G.I.T/F!

Introducing Thank Goodness It’s True/False! This is our new program for all High School and College students statewide. We invite you to try a taste of the fest on us!

The day starts with a free film and refreshments at the Missouri Theater, followed by art, music, and film workshops and events, and is topped off by a raucous downtown parade. All free. All just for you.

The Friday of the festival (February 28) is a Columbia Public High School teacher work day and students have the day off, so we’ve created a Friday full of free fun for students! We are even providing free bus transportation for all local CPS high schoolers (just fill out this form, and take it to your high school by the 25th). We also welcome all other students from high schools and colleges in our fair state. Grab your student ID and come on down!

10am: Doors open at the Missouri Theater. Come early for coffee, snacks, and live music.

11am: Particle Fever screens, followed by a conversation with our special guests: Mark Levinson, the film’s director, and David Kaplan, star of the film. (Film synopsis: Some of the world’s most savvy scientists guide us through the largest experiment in history, the Large Hadron Collider, which seeks to unlock the secrets of the cosmos).

1 – 5pm: Then, all afternoon, we have free music, art and film events just for students: workshops with local and visiting artists (make costumes and puppets for the parade, get a special public art tour, and meet with internationally acclaimed artists), meet and hear local and national musicians, and talk with filmmakers from around the world.

5:30pm: The day will end with the always fabulous March March parade.

For more info and to reserve your spot, sign up here: http://truefalse.org/educate/attend

We also offer informational presentations about the fest, classroom visits with festival guests, free and discounted tickets, field trips, year-round film education programs, work with the True Life Fund, and other meaningful volunteer work.

FUNDING PROVIDED BY THE BERTHA FOUNDATION

Posted February 20, 2014

True/False Film Fest 2014: Magic/Realism

The histories of magic and cinema are both steeped in questions of authenticity and fantasy, and the transformation of the commonplace into the fantastic. With this year’s theme “Magic/Realism” we aim to highlight the affinities between prestidigitation and filmmaking, arts which utilize artifice on the way to discovering a new reality.

A small sample of what we have in store can be found in our 2014 commercial, itself a teaser for the short films you’ll be seeing before each of this year’s screenings. It was created by Jarred Alterman, director of Convento and co-director of Dear Valued Guests (T/F 2013). In it, magician Gary Oxenhandler proposes the idea misdirection, an important skill for magicians and filmmakers alike.

You may also have caught a glimpse of Steve Ferris, who you’ll be seeing much more of during the Fest.

“Magic/Realism” also inspired our 2014 poster, created by artist Akiko Stehrenberger under the direction of veteran T/F collaborator Erik Buckham. The poster quotes “The Marvelous Orange Tree” illusion invented by Jean Eugène Robert-Houdin, the father of modern magic. You can view more of Akiko’s work at Hittsville beginning February 23rd.

final poster

The magic is almost here and we’re ready to share the complete True/False 2014 program. The artistic talent converging in our town for four crazy days is truly humbling. Check out the schedule and explore the complete lineup of features, shorts, musicians, artists and concerts. You can also browse through trailers for this year’s films and music videos from T/F 2014 performers.

We’ve also announced the 2014 True Vision Award Honoree, Amir Bar-Lev, who’ll be presenting his new film Happy Valley. And we’ve selected Kit Gruelle and Deanna Walters of Private Violence for the True Life Fund, our annual fundraiser for the subjects of a documentary. This film courageously and intelligently takes on the hidden epidemic of domestic violence.

Finally, we’ve announced the films in our second annual Neither/Nor series, an ongoing project to map the history of “chimeric” cinema thanks to the generous support of The Academy of Motion Picture Arts and Sciences. This year’s program examines the self-reflexive Iranian cinema of the 1990s and will be presented by critic Godfrey Cheshire.

Let the transformation begin!

 

Posted February 11, 2014

The Academy Presents the Second Annual Neither/Nor Series

The Neither/Nor series is an ongoing project to map the history (and present) of “chimeric” cinema, adventurous filmmaking that defies classification as either fiction or nonfiction. Every year True/False will partner with a visiting film critic who will present four films and produce a limited-edition monograph featuring essays and interviews. In the 2014 edition, esteemed film critic Godfrey Cheshire will introduce us to the self-reflexive Iranian cinema of the 1990s. Neither/Nor is underwritten by a generous grant from the Academy of Motion Picture Arts and Sciences.

We’re holding a Neither/Nor kick-off reception on Tuesday, February 25th at 6 pm at Ragtag Cinema. There you can meet critic Godfrey Cheshire before he introduces a screening of his own 2007 film Moving Midway, a look at the relocating of his family’s antebellum home to escape Raleigh, North Carolina’s sprawl. The series begins in earnest at Ragtag on True/False eve, Wednesday, February 26th, with Close-Up, Abbas Kiarostami’s 1990 masterpiece. The rest of Neither/Nor will take place during T/F 2014 at Big Ragtag. A Moment of Innocence plays Thursday at 5:30 PM, The Mirror Friday at 12:30 PM, The Apple Saturday at 10:30 AM and Close-Up screens again Saturday at 8:30 PM. All of the screenings in this series will be free.

Here’s a short introduction to this year’s selections.

Close-Up (dir. Abbas Kiarostami, 1990, 98 min.) In this 1990 landmark, director Abbas Kiarostami takes a bizarre case of identity theft and convinces its real-life subjects to participate in a creative reenactment. Hossain Sabzian is a young, underemployed lover of cinema. One day while riding a bus, he meets a woman and convinces her that he is film director Mohsen Makhmalbaf. When she is confused why such a famous man would be riding public transit, Sabzian explains that it’s important to draw inspiration from the real world. Under this pretense, he worms his way into her family’s home and bank account. When the family starts to become suspicious, they invite an ambitious journalist to come investigate.
- Chris Boeckmann

close-up

A Moment of Innocence (dir. Mohsen Makhmalbaf, 1996, 78 min.) In 1974, when Iranian director Mohsen Makhmalbaf was a 17-year-old anti-Shah militant, he stabbed a policeman at a rally. Makhmalbaf found himself in prison for six years, while the police officer suffered serious injuries. Many years later, after Makhmalbaf had found fame as a director, he ran into the same police officer during a film shoot, and they agreed to collaborate on a film. In the brilliantly structured A Moment of Innocence, we witness the two men as they work together to recreate this incident. As they go about this process, we discover that the men have very different memories of what transpired on that pivotal day.
- Chris Boeckmann

momentofinnocence

The Mirror (dir. Jafar Panahi, 1997, 93 min.) In the center of Tehran, as the day comes to a close, a young first-grader named Mina (played by Mina Mohammad-Khani) walks out of her school and discovers that her mother is nowhere to be found. Impatient, and with one arm in a sling, she decides to find her own way home. Mina boards a bus and listens in on the various conversations unfolding around her. That bus, it turns out, is heading the wrong direction. Eventually, all of a sudden, a frustrated Mina does something surprising. Jafar Panahi, then a protégé of Close-Up director Abbas Kiarostami, directed this playfully reflexive 1997 film.
- Chris Boeckmann

themirror

The Apple (dir. Samira Makhmalbaf, 1999, 86 min.) Directed by a then 17-year-old Samira Makhmalbaf (daughter of Mohsen Makhmalbaf, who co-wrote the screenplay), this 1998 film recreates a scandalous news story using the real life participants. In an Iranian neighborhood, a strict, unemployed father and his blind wife keep their 11-year-old twin daughters, Massoumeh and Zahra, locked in their house. After neighbors complain to the welfare ministry, a social worker comes to release them. Makhmalbaf’s quasi-documentary follows Massoumeh and Zahra as they receive their first taste of freedom and observes their father as he sits behind bars, reflecting on his actions. Makhmalbaf’s auspicious debut is a profoundly unsettling exploration of patriarchy. Screens with “The House Is Black” (Forough Farrokhzad, 1963, 22 min.).
- Chris Boeckmann

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Posted February 10, 2014

‘Jodorowsky’s Dune’ is Coming to the Jubilee

On opening night, February 27th, the historic Missouri Theatre plays host to The Jubilee, our masquerade gala marking the beginning of a new True/False. This event is sponsored by our friends at LaBrunerie Financial and features six of Columbia’s best bartenders. After mingling with fellow fest-goers and partaking in plentiful libations, we’ll watch the festival’s first screening in this august setting. This year we feel we found a film perfect for the evening’s exuberant atmosphere.

jodorwsky

In 1975, cult film director Alejandro Jodorowsky attempted to adapt the classic sci-fi novel Dune, along with a team of collaborators including Mick Jagger, Salvador Dali and Pink Floyd. Jodorowsky’s Dune uses phenomenal storyboards and concept sketches to tell the story of this unique project, which, despite its ultimate failure, serves as an inspiring example of uncompromising artistic ambition.

In the film’s trailer you can hear from Jodorowsky himself about the incredible goals that he set for himself in making Dune.

Frank Pavich, the director of Jodorowky’s Dune, will be on hand at both the Jubilee and other T/F screenings to share stories and answer your questions. We hope to see you there!

jodorwsky-dune

 

 

Posted February 3, 2014

True/False 2014 ‘Magic Realism’ Poster

Behold, the True/False 2014 poster has arrived! This image is designed to convey this year’s theme, “Magic Realism”.

It quotes “The Marvelous Orange Tree” illusion invented by Jean Eugène Robert-Houdin, the father of modern magic. In it, a small barren tree is coaxed to produce first flowers and then fruit by a persuasive magician. The intricate cogs and gears of the mechanism, though in many ways every bit as wondrous a feat as the suggested illusion, are hidden from sight. This is the magic of all filmmaking, the careful cloaking of the watchworks to produce passion, marvel and delight!

The poster was created by artist Akiko Stehrenberger with art direction by veteran T/F collaborator Erik Buckham. More of Akiko’s work will be on display at the Uprise during the festival, with 10% of the sales going towards the True Life Fund.

final poster

Posted January 23, 2014

Create a Film for Gimme Truth!

Gimme Truth!, the T/F game show, returns Saturday, March 1 at The Vimeo Theater at The Blue Note in downtown Columbia. It’s the festival’s most unique event. It’s also the best opportunity for Missourians to get their name out there and have high-profile filmmakers see their work. In recent years our judges included Derek Waters of Comedy Central’s Drunk History and Oscar winner Malik Bendjelloul.

Gimme Truth game show at The Blue Note, March 2. Photo by Parker Michels-Boyce

Gimme Truth! is made up of 10 two-minute films that are either 100% true or 100% false. The goal for each contestant is to make an intriguing, short  movie that fools three “celebrity” judges, each of whom are filmmakers appearing at the festival.

The top three films will win prizes!

1st place: Lux Pass to the 2015 fest, a weekend RED rental package and four-hour color grading session from Chimaeric and additional prizes that have yet to be announced!

2nd place: Lux Pass to the 2015 fest

3rd place: Simple Pass to the 2015 fest

Submissions are free before the early-bird deadline of January 24, 2014. After that there will be a $20 submission fee. Final deadline is February 17, 2013. All filmmakers who submit a film get a complimentary ticket to the event, while the 10 finalists get four tickets.

You can read all the rules and qualifications for Gimme Truth! here.

To spark your creativity, here are a few segment from last year’s show!

 

Posted January 14, 2014

T/F Awarded Three Year Grant by AMPAS for the Neither/Nor Series

The Academy of Motion Picture Arts and Sciences has awarded a three-year, $75,000 grant to the True/False. The funds will help produce our Neither/Nor series, which celebrates “chimeric” works that straddle the line between fiction and nonfiction.

Being recognized by the Academy in such a significant way is one of the greatest milestones in our history. Because of their support, we’ll be able to delve deeper into the exhilarating work suggested by our name.

Begun earlier this year with a survey of films shot in New York during the ‘60s, the Neither/Nor series is an ongoing project. Each Fest, T/F will collaborate with a visiting film critic to map the history (and present) of chimeric cinema. We believe that by championing a more permeable line between forms, both the non-fiction and fiction film can be reimagined in fresh and provocative ways.

For its second Neither/Nor edition, we plan to highlight Iranian chimeras, a rich tradition of unclassifiable, self-reflexive cinema that received international attention in the 1990s. Critic Godfrey Cheshire, who has written extensively on Iranian cinema, will produce a limited-edition monograph and present four films at the festival.

Posted November 18, 2013
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