Events

Neither/Nor Begins True/False Eve with ‘Arena of Life’

The 2015 Neither/Nor series kicks-off on True/False Eve, Wednesday, March 4, with a free event at the Ragtag Cinema. At 6pm that evening, Ragtag will host a reception featuring all the guests of this year’s series. At 7pm, we will screen Bogdan Dziworski’s shorts program Arena of Life. After the screening, this year’s Neither/Nor curator, Ela Bittencourt, will moderate a Q&A with Dziworski.

 

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image from Arena of Life

 

Famous for both his cinematography (see Through and Through) and still photography (check out his exhibit at Uprise Bakery), Bogdan Dziworski is one of Poland’s most imaginative visual artists. In this shorts program, we focus on the spectacular, unconventional profile films he directed in the late 1970s and early 1980s. Arena of Life (dir. Bogdan Dziworski, 1979, 20 min.) takes us behind the scenes of a circus, as performers tirelessly put on a show. Biathlon (dir. Bogdan Dziworski, 1978, 11 min) ogles professional skiers as they triumphantly shoot out into the sky and then crash to the ground. The masterpiece A Few Stories About a Man (dir. Bogdan Dziworski, 1983, 20 min) introduces us to Jerzy Orlowski, an agile, armless man, and shows us how he dives, draws, skis and, yes, urinates. In the melancholic, whimsical Szapito (dir. Bogdan Dziworski, 1984, 29 min), Dziworski revisits the circus and observes older performers as they struggle to nail their acts.

This event is free. Tickets will be available day of show at the Ragtag Cinema box office.

Posted February 18, 2015

‘Best of Enemies’ is Our Jubilee Film

T/F 2015 kicks-off on Thursday, March 5 with the Jubilee, our annual masquerade extravaganza. There’ll be costumes, cocktails and buskers a-plenty throughout lobby and corridors of the august Missouri Theatre. Eventually, we’ll all find our seats and take in the opening night film. This year we are thrilled to present the fun and fascinating Best of Enemies, directed by Robert Gordon and Academy Award-winner and T/F alum Morgan Neville of Twenty Feet From Stardom (T/F 2013).

 

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image from Best of Enemies

 

This archival film utilizes crackling editing and sound design to take us back to the 1960s, when ABC paired the disdaining, incredulous conservative William F. Buckley with the jeremiad-spouting liberal Gore Vidal in a series of televised debates.  Their spirited clashes embodied the culture wars of the 60s and haunted both men for the rest of their lives.

 

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image from Best of Enemies

 

Filmmakers Neville and Gordon will both be on hand for what is sure to be a lively post-film Q and A. We hope to see you there! And don’t forget the rest of the T/F 2015 film slate will be announced at 6 PM tonight!

Posted February 11, 2015

5% for T/F Day at Lucky’s on Thursday !

This Thursday, February 12 is 5% for T/F day at Lucky’s Market. We’ll receive 5% of everything you purchase all day from 7am-10pm, so come on in, get some healthy food and help support the Fest.

In addition in between 4-7 PM in the Lucky’s Cafe, there will be music from T/F buskers The Flood Brothers playing, a Chocolate sampling fair, give-aways of 4 Gateway Packets and 4 Busker bands and T/F Merch for sale, including the new 2015 designs. We hope to see you there!

Posted February 9, 2015

Neither/Nor 2015 Examines Innovative Nonfiction From Poland with Critic Ela Bittencourt

This year we’re celebrating Poland’s groundbreaking contributions to nonfiction cinema in the 2015 edition of Neither/Nor, our annual repertory sidebar focusing on “chimeric” work that straddles the line between fiction and nonfiction. This year’s program is a collaboration with film critic Ela Bittencourt, with the support of the Academy of Motion Picture Arts and Sciences. We will be spotlighting a generation of Polish filmmakers born during World War II. Living in the communist Polish People’s Republic, these filmmakers created formally and politically daring work that continues to influence cinema today. All Neither/Nor screenings are free to the public (access during the Fest is through the Q).

 

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image from A Few Stories About a Man (Neither/Nor 2015)

 

Throughout True/False 2015 (March 5-8), we will be screening and discussing films from radical luminaries Marcel Lozinski, Grzegorz Królikiewicz, Bogdan Dziworski and Wojciech Wiszniewski, as well as works from younger directors Maciej Drygas and Andrzej Czarnecki. Confirmed guests include Królikiewicz, Dziworski, cinematographer Jacek Petrycki and editor Dorota Wardeszkiewicz.

 

We’re going to turn things over to T/F programmer Chris Boeckmann to explain how this year’s N/N program emerged from a passionate discussion surrounding an earlier T/F film:

 

On October 21, 2010, True/False’s screening committee huddled around a small television and watched At the Edge of Russia, a film directed by a then-unknown twenty-something Pole named Michal Marczak. Michal’s film observes a group of Russian soldiers stationed in a remote part of Siberia. Their mission is to protect the border from Arctic Ocean threats. Outside of the context of a documentary festival, many viewers would assume Michal’s Waiting for Godot-esque comedy to be a work of fiction. Every composition is perfect, every laugh feels carefully timed, and the film is built on a neatly constructed narrative. In reality, however, Michal considers his film a work of nonfiction cinema, and it screened almost exclusively at documentary events, including True/False.

After our committee first watched the film, we fiercely debated its documentary claims. That debate continues to this day. In November 2012, the formidable Sean Farnel — a Canadian programmer who included the film in the 2011 edition of his own festival — wrote an article for Indiewire in which he retroactively accused Michal of being “dishonest” for labeling his film a documentary.

 

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image from At the Edge of Russia (T/F 2011)

 

The 2015 edition of Neither/Nor, which focuses on Polish documentary visionaries of the 1970s-1990s, can be traced back to this 2010 argument. As you will soon see, Michal’s film can be viewed as part of a rich Polish tradition. Before releasing At the Edge of Russia, Michal studied under documentary legend Marcel Lozinski at the Andrzej Wajda Master School of Film Directing. Marcel describes the world as a fish tank and suggests that it’s his job as director to shake that fish tank – i.e. provoke truth, often through staging – and document what happens. Marcel’s profound and mischievous work is explored in this series, as are the films of Dorota Wardeszkiewicz, the editor of At the Edge of Russia. At the beginning of her career, Dorota worked alongside the late Wojciech Wiszniewski, considered one of the fathers of Polish creative documentary. In the years since, she has collaborated with some of Poland’s most innovative documentary directors.

These artists — along with other crucial figures, such as Grzegorz Królikiewicz and Bogdan Dziworski — were born at the start of World War II and created many of their most groundbreaking works as citizens of the communist Polish People’s Republic (1944-1989). How and why did this staggeringly creative cinema emerge out of such a seemingly stifling system? Was it created in spite of that system or because of it? We’ve asked the astute and gifted film writer Ela Bittencourt to guide us through this astonishing, daunting and frequently overlooked period of film history. Her tremendous work speaks for itself.

-Chris Boeckmann

 

The Fest will present six Neither/Nor programs throughout T/F 2015. The films include Through and Through (1973) Grzegorz Królikiewicz’s bold and startling debut, which examines a famous 1933 trial using psychodramatic techniques.

 

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image from Through and Through (1973)

 

We’ll also be showing How to Live (1977) where Marcel Lozinski documents life at government-sponsored summer camp where couples learn to become the ideal communist family.

 

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image from How to Live (1977)

 

In addition, we’ll show the short A Few Stories About a Man (1983) by Through and Through cinematographer Bogdan Dziworski, who directs a mysterious and mesmerizing portrait of a talented, armless man named Jerzy Orlowski.

 

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image from A Few Stories About a Man (1983)

 

The full lineup will be announced on Wednesday, February 11.

In addition to film screenings, the festival will be publishing a monograph written by this year’s Neither/Nor curator Ela Bittencourt. Along with essays reflecting on the series’ films, the monograph features interviews with Królikiewicz, Lozinski, Dziworski, editor Agnieszka Bojanowska, Wardeszkiewicz and Drygas. Bittencourt is a freelance film and art critic whose writing has appeared in Artforum, Frieze Magazine, Cineaste, Film Quarterly and Reverse Shot, among other publications.

Neither/Nor is presented by the Academy of Motion Pictures Arts and Sciences. Now in its third edition, the series seeks to start a conversation about historical examples of chimeric cinema. The 2013 edition, curated by film writer Eric Hynes, looked at New York City chimeras from the 1960s, while the 2014 edition, curated by film critic and filmmaker Godfrey Cheshire, investigated Iranian cinema of the 1990s. You can read the 2013 monograph here and the 2014 monograph here.

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A Look Inside the Lab by Photographer Stephen Bybee

For months now, the True/False production team has labored tirelessly in their secret lab, engineering the strange alternate universe we’ll all soon inhabit. Photographer Stephen Bybee recently gained access to their lair and brought back these mysterious images of the team at work and the weird objects they are creating. Take your first peek into the world of True/False 2015 as it comes into being.

 

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Posted February 4, 2015

Presenting the True/False 2015 Poster!

Presenting the True/False 2015 Poster! It’s designed by long-time T/F collaborator Erik Buckham with a drawing by artist Akiko Stehrenberger. As part of this year’s exploration of time, we decided to feature a creature known for its longevity. Check it out!

 

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Posted January 23, 2015

‘The Look of Silence’ is the 2015 True Life Fund Film

We are proud to announce Joshua Oppenheimer’s The Look of Silence as this year’s recipient of the True Life Fund.

 

 

The True Life Fund offers support to a film’s subjects in appreciation of their choice to share their stories with audiences. The Look of Silence‘s subject, Adi Rukun, bravely challenged Indonesia’s collective silence by speaking out about the atrocities committed against his family during the Indonesian genocide that took place during 1965 and 1966. His steady, calm confronting of men responsible for the death of his brother stands as an exemplary display of bravery. This act of courage has forced his family to relocate in order to avoid backlash. Funds raised through the True Life Fund will assist Adi and his family in their relocation process.

 

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Adi Rukun in The Look of Silence

 

The Look of Silence is the companion film to The Act of Killing (T/F 2013) which will also screen at this year’s Fest in its extended director’s cut. Together, the two films complete an incredible eleven-year project exploring the Indonesian genocide and the horrifying shadow it continues to cast over that nation’s culture and politics. Unlike other mass killings, the perpetrators of Indonesia’s anti-communist purges remain part of the power structure with their crimes officially excused or even celebrated, making Oppenheimer’s present tense investigation indispensable. These two films bring energetic innovation and flawless craft to this stunningly under-reported story.

 

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Image from The Look of Silence

 

Director Joshua Oppenheimer will be in-person at all screenings. We’re also working to bring Adi to Columbia, but, due to the film’s highly charged content, his international travel is being curtailed and he may not be able to leave Indonesia.

We’d like to thank The Crossing, a local Columbia church, for their continued partnership. The Crossing will be sponsoring the True Life Fund for the eighth time this year. The Fund itself is comprised of thousands of small, individual gifts, matched through a grant from the Bertha Foundation.  We hope to raise more than $20,000 for Adi and his family.

The Look of Silence is the ninth True Life Fund film. Last year, Cynthia Hill’s Private Violence received the True Life Fund. The fund was split between domestic violence survivor Deanna Walters and advocate Kit Gruelle.

 

 

Posted January 19, 2015

It’s Time: True/False 2015

It’s Time: True/False 2015 is coming March 5-8!

See a short teaser for this year’s prefilm intros, directed by Jarred Alterman.

And check out the T/F 2015 poster, designed by artist Erik Buckham with an illustration by Akiko Stehrenberger.

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We’ve announced the complete lineup of T/F 2015 Films, as well as our Art and Music programs.

The 2015 True Vision Award Winner is filmmaker Adam Curtis.

The 2015 True Life Fund Film is The Look of Silence.

And our retrospective sidebar Neither/Nor will investigate Polish chimeras from the 70s, 80s and 90s with critic Ela Bittencourt.

Posted January 15, 2015

‘The Long Now’ Art Exhibit at Imago

2015 has arrived and with the new year T/F is ready to begin exploring a new idea, “The Long Now”!

This Thursday, January 8 is the opening reception for the new “The Long Now” art exhibit, featuring 14 works exploring our relationship with time selected through a jury process in partnership with Imago Gallery and Cultural Center. Imago will be hosting the show at their gallery at 1020 E. Broadway in downtown CoMo, also the future home of the T/F 2015 box office. At 7 pm Thursday, T/F’s Art Installation Coordinator and all-around production guru Camellia Cosgray will give a talk introducing the show. Refreshments will be provided.

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The selected pieces are:

“Aquatic Dance” by Lampo Leong
“The Light” by Li Lin
“Window on the World” by Amy Meyer
“Icosahedron on Blue Plane” by Clint McMillen
“Avoidable collision nearing from behind.” by Ian Shelly
“Cernunnos Arabeque” by Madeleine LeMieux
“Pastpresentfuture” by Yourself
“Sketch of Scarlatti Sonata K34 (as Argo Navis)” by Kerry Hirth
“Expansion Loop with Flare” by Matt Moyer
“The” “Long” “Now” by Gabe Meyer
“Response Time” by Scott McMahon and Ahmed Salvador
“Epiphany” by Shannon Soldner
“St. Mary’s Flood Album – page 44? by Scott Patrick Myers
“Breath” by Natalie Shelly

10% of all sales will go towards the 2015 True Life Fund. Please come consider The Long Now with us.

Posted January 5, 2015

Submit Now for Gimme Truth!

Note: the Gimme Truth submission deadline has now been extended to Friday, February 27!

We are now accepting submissions for Gimme Truth! In our annual game show contestants present their 2-minute films to a panel of celebrity judges who’ll have to determine if they are 100% True or 100% False. And new for 2015, we’ve waived the submission fee. That’s right, you can now submit for free. You can win Ragtag Membership, CAT-TV Membership, Pond5 gift certificate, a Vimeo Pro account, Sunday brunch/lunch with a filmmaker and passes to T/F 2016.

You can download the submission form here. Films are due by Friday, February 20, 2015 at 5 pm.

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Posted December 26, 2014
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