Events

‘The Jinx: The Life and Deaths of Robert Durst’ at T/F and On HBO

The Jinx: The Life and Deaths of Robert Durst is a six-part HBO series examining enigmatic millionaire Robert Durst, still free despite being implicated in a disappearance, a murder and a dismemberment over the course of three decades. Created by the team of Andrew Jarecki and Marc Smerling, the men responsible for the unforgettable Capturing the Friedmans, The Jinx artfully presents a constantly shifting kaleidoscope of perspectives, outrageously including that of Durst himself in an extensive, uncomfortable interview.

 

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Robert Durst in The Jinx

 

The Jinx deserves to be recognized as both great television and great cinema. For this reason, T/F will be presenting three different programs of The Jinx during the Fest. The first program features episodes 1 and 2 and the second episodes 3 and 4. The third, Sunday night at 9:00 the Vimeo Theater at the Blue Note, will feature episode 5 the same night it premieres on HBO. If you’ve been watching at home or want to catch up on HBOGo, you can jump in for a special extended Q and A with co-creator Marc Smerling, who will be addressing for the first time the startling revelations contained in this episode. It should make for an unforgettable conclusion to T/F 2015.

 

Posted March 3, 2015

How to ‘Q’

You’ve probably noticed on our schedule that most of the screenings are now marked “NRT” for “No Reserve Tickets”. This may even include the screenings for that one film you really wanted to see. Please, don’t panic. The “No Reserve Tickets” does not mean sold out. You can still use the Q!

We’re very proud of our Q system, which we feel does a great job of keeping T/F accessible, despite of its growth. But we understand it can be confusing and intimidating, particularly for people who haven’t used it before.

So here’s how it works. At each of our venues you’ll immediately notice the conspicuous ‘Q’. One hour before each and every screening, the flamboyantly dressed Q Queen will begin handing out numbered Q cards. Frequently, a line forms at the Q in the lead up to this one hour til showtime mark.

 

Q ing up in front of the Missouri Theater.

 

Once you get your numbered Q card, you can go grab a bite to eat or take a stroll around town. Just make sure to come back 15 minutes before the show starts. That’s when we’ll start filling seats off of the Q, based on the number on your Q card, so make sure you’re back with 15 minutes. To speed this process up, the Q Queen will have you form a line in numerical order. We always hold back seats to fill with the Q, in addition to the seats belonging to ticket holders who decide not to come (something which happens frequently at the film festivals).

Once your number is called and you’re ready to head into the theater, you’ll need to do one of two things. If you have a pass, you can just flash it to the volunteer at the door and head on in. Otherwise, make sure you have cash on you to pay at the door.

It’s easy once you get the hang of it. We promise.

This year we are introducing a new incentive to get folks out and ‘Q’ing. Every time you get a Q card, put your name and email on the back. Whether or not you get in to the screening, make sure to hand your card in to the Queen. We’ll draw one Q card at random for all four days of the Fest. Each lucky winner will receive one LUX pass to T/F 2016! Sorry, volunteers, Ragtag and True/False staff are not eligible.

Some things to keep in mind when planning your ‘Q’ing.

How big is the venue? The bigger the venue, the more people will for sure get in on the Q. Ranked from biggest to smallest, our theaters are: The Missouri Theatre, Cornell, The Vimeo Theater at The Blue Note, The Picturehouse, Geology, Rhynsburger, The Globe, The Forrest Theater, Big Ragtag, Odd Fellows Lodge and the Willy Wilson Theater at Ragtag.

What time of day is it? People tend to have a tendency to sleep in and skip that first screening in the morning. Late at night, they might decide that they’ve already had enough for one day. This frees up more seats for the Q. But if you want to go to a screening at 7 pm, you’ll probably have to line up at the Q a little earlier.

Have fun! Strike up a conversation with a stranger. Tell someone about a film you saw. If we’ve done our job right, there should be more than enough to talk about!

Posted February 28, 2015

Tickets On Sale Thursday March 5 at the T/F Box Office

The T/F Box Office opens for individual ticket sales at 9 am on Thursday, March 5. We’ll have thousands of T/F 2015 tickets available. Among those screenings we’ll have tickets for are:

Those Who Feel the Fire Burning- Thursday at 9:30 pm- The Vimeo Theater at The Blue Note

Drone- Thursday 10:15 pm- Missouri Theatre

Cartel Land- 10:15 pm  Friday- Missouri Theatre

Probation Time- Saturday 7:45 pm- Rhynsburger Theatre

Secret Screening Orange- Saturday 9:15 pm- The Picturehouse

The Visit- Sunday 9:30 am- Missouri Theatre

Spartacus & Cassandra- Sunday 12:30 pm- Missouri Theatre

Tales of the Grim Sleeper- Sunday 3:30 pm- Missouri Theatre

Girl You Know It’s True (shorts)- Sunday 7:30 pm- The Globe

Secret Screening Red- Sunday 7:30 pm- Rhynsburger Theatre

Time Is A Thief (shorts)- Sunday 8:30 pm- The Picturehouse

The Jinx: The Life and Deaths of Robert Durst: Episode 5 - Sunday 9:00 pm- The Vimeo Theater at The Blue Note

Posted February 27, 2015

Coming Soon to The Great Wall!

The Great Wall, T/F’s free outdoor cinema, is back in 2015, now newly situated right outside T/F’s international headquarters at 9th and Broadway. Films will play from 7-11 the Friday, Saturday and Sunday nights of the Fest.

This year The Great Wall will feature two different programs. On Friday and Sunday, we’ll be projecting a shorts program titled Swan Song for the Factory Age. Watch as the walls of modern industry are toppled and a postindustrial civilization arises.

It begins with the hypnotic Single Stream (Ernst Karel, Toby Lee and Pawel Wojtasik, 24 min.), which shows our throwaway society as it reaches operatic excess.

Single Stream

image from Single Stream

 

In the nihilistic The Digger, the Bell, and the Tropical Pharmacy (Jennifer Allora, Guillermo Calzadilla and Tony Gerber, 21 min.), we ride shotgun on a single-minded, musical excavator.

The digger

image from The Digger, the Bell and the Tropical Pharmacy

 

Assembly Line Movement (Jesse Sugarmann, 22 min.), introduces former Pontiac factory workers pantomiming—with surgical precision— their now-obsolete daily rituals.

Sugarmann

image from Assembly Line Movement

 

In Layover (Vanessa Renwick, 6 min.), in which birds swoop over our demise, their relentless choreography signaling a new start.

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image from Layover

 

This program will also feature a short film from this year’s True Vision Award winner Adam Curtis.

 

On Saturday night The Great Wall will feature Our Sweet Malik, a tribute to our late friend Malik Bendjelloul. Malik stole our hearts in 2012 when he brought his musical fairy tale Searching for Sugar Man to True/False. He also starred at our game show Gimme Truth! as the charming, befuddled foreigner. Then fresh off of his 2013 Oscar win, he made a victory lap to mentor T/F’s high-school students. With the gracious guidance of Brittany Huckabee—T/F alum and partner of Malik—we’re projecting a number of his visually arresting short works, which herald his later breakthrough.

"Searching for Sugar Man" Greenroom Photo Op - 2012 SXSW Music, Film + Interactive Festival

Malik Benjelloul

 

Make sure to include a little space in your T/F 2015 schedule for a bit of cinema out under the stars.

Posted February 26, 2015

Explore the Films of the Gateway Packet

Note: Gateway Packets are now sold out. But do not fear, we’ll have thousands of tickets on sale for these and other films at our box office beginning March 5.

 

The Gateway Packet is now on sale until 6 pm on Friday February 27 for T/F 2015. For $40, the Gateway grants you the ability to reserve three tickets online. For a select set of screenings at True/False 2015, which runs March 5-8. You can reserve tickets for three different screenings or multiple tickets for the same one; it’s up to you. Gateway is a great to introduce someone new to T/F. Pick up yours here.

This year’s Gateway screenings are as follows:

(T)ERROR, Thursday at 6:45pm, Vimeo Theater @ The Blue Note

Those Who Feel the Fire Burning, Thursday 9:30pm, Vimeo Theater @ The Blue Note

Drone, Thursday, 10:15pm, The Missouri Theatre

Cartel Land, Friday 10:15pm, The Missouri Theatre

I Am the People, Saturday 10:00am, Geology

Kurt Cobain: Montage of Heck, Saturday 9:30pm, Missouri Theatre

The Visit, Sunday 9:30am, Missouri Theatre

Spartacus & Cassandra, Sunday, 12:30pm, Missouri Theatre

Tales of the Grim Sleeper, Sunday 3:30pm, Missouri Theatre

Of Men and War, Sunday, 5:30pm, Geology

Finders Keepers, Sunday, 7:00pm, Cornell Hall

The Jinx: The Life and Deaths of Robert Durst (Episode 5), Sunday 9:00pm, Vimeo Theater @ The Blue Note

 

Below we gathered some info about this year’s Gateway selections.

 

(T)ERROR gains unprecedented access to an FBI counter-terrorist investigation, as its directors Lyric R. Cabral and David Felix Sutcliffe explain in this video from Sundance 2015.

 

Those Who Feel the Fire Burning is a haunting look at life immigrant communities in Europe, as you can see in the mesmerizing trailer below.

 

Drone is a timely investigation drone technology, and the sticky, unresolved issues around its wide spread use in modern warfare.

 

Cartel Land a jaw-dropping look at the moral grey zone’s created by powerful drug cartels, as director Matthew Heineman explained at Sundance.

 

I Am the People is a unique and deeply humanist examination of the Arab Spring, an important film just now arriving in our hemisphere.

 

Brett Morgen’s Kurt Cobain: Montage of Heck creates a frightening and fascinating portrait out of a wealth of amazing archival materials. Morgen recently discussed his intimate with a legend in an interview with Rolling Stone.

 

The Visit is a hypnotic philosophical provocation from filmmaker Michael Madsen, who simulates humanity’s first encounter with an extraterrestrial species.

 

Spartacus & Cassandra is a beautiful and affecting story Roma children at a life crossroads. The blog Cine Vue covered its screening at last spring’s Cannes Film Festival.

 

Tales of the Grim Sleeper explores the unbelievable story of a serial killer who preyed on women in a South Central LA neighborhood for 25 years.

 

Of Men and War is a direct, unforgettable look at American soldiers suffering from PTSD, and the difficulty of providing them the help they need.

 

Finders Keepers is the stranger-than-fiction story of a severed foot found in a BBQ grill, and the even more bizarre events that followed. The Guardian covered its recent screening at Sundance.

 

Finally, The Jinx a multipart HBO series, where filmmaker Andrew Jarecki presents a shifting kaleidoscope of perspectives around millionaire Robert Durst, who happens to be the center of multiple murders and disappearances. The Sunday screening that is part five, so those watching along on HBO or HBOGo can join in. If you’ve caught up, check out the analysis of the latest episode on Vulture.

 

Posted February 23, 2015

Neither/Nor Begins True/False Eve with ‘Arena of Life’

The 2015 Neither/Nor series kicks-off on True/False Eve, Wednesday, March 4, with a free event at the Ragtag Cinema. At 6pm that evening, Ragtag will host a reception featuring all the guests of this year’s series. At 7pm, we will screen Bogdan Dziworski’s shorts program Arena of Life. After the screening, this year’s Neither/Nor curator, Ela Bittencourt, will moderate a Q&A with Dziworski.

 

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image from Arena of Life

 

Famous for both his cinematography (see Through and Through) and still photography (check out his exhibit at Uprise Bakery), Bogdan Dziworski is one of Poland’s most imaginative visual artists. In this shorts program, we focus on the spectacular, unconventional profile films he directed in the late 1970s and early 1980s. Arena of Life (dir. Bogdan Dziworski, 1979, 20 min.) takes us behind the scenes of a circus, as performers tirelessly put on a show. Biathlon (dir. Bogdan Dziworski, 1978, 11 min) ogles professional skiers as they triumphantly shoot out into the sky and then crash to the ground. The masterpiece A Few Stories About a Man (dir. Bogdan Dziworski, 1983, 20 min) introduces us to Jerzy Orlowski, an agile, armless man, and shows us how he dives, draws, skis and, yes, urinates. In the melancholic, whimsical Szapito (dir. Bogdan Dziworski, 1984, 29 min), Dziworski revisits the circus and observes older performers as they struggle to nail their acts.

This event is free. Tickets will be available day of show at the Ragtag Cinema box office.

Posted February 18, 2015

‘Best of Enemies’ is Our Jubilee Film

T/F 2015 kicks-off on Thursday, March 5 with the Jubilee, our annual masquerade extravaganza. There’ll be costumes, cocktails and buskers a-plenty throughout lobby and corridors of the august Missouri Theatre. Eventually, we’ll all find our seats and take in the opening night film. This year we are thrilled to present the fun and fascinating Best of Enemies, directed by Robert Gordon and Academy Award-winner and T/F alum Morgan Neville of Twenty Feet From Stardom (T/F 2013).

 

best of enemies

image from Best of Enemies

 

This archival film utilizes crackling editing and sound design to take us back to the 1960s, when ABC paired the disdaining, incredulous conservative William F. Buckley with the jeremiad-spouting liberal Gore Vidal in a series of televised debates.  Their spirited clashes embodied the culture wars of the 60s and haunted both men for the rest of their lives.

 

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image from Best of Enemies

 

Filmmakers Neville and Gordon will both be on hand for what is sure to be a lively post-film Q and A. We hope to see you there! And don’t forget the rest of the T/F 2015 film slate will be announced at 6 PM tonight!

Posted February 11, 2015

5% for T/F Day at Lucky’s on Thursday !

This Thursday, February 12 is 5% for T/F day at Lucky’s Market. We’ll receive 5% of everything you purchase all day from 7am-10pm, so come on in, get some healthy food and help support the Fest.

In addition in between 4-7 PM in the Lucky’s Cafe, there will be music from T/F buskers The Flood Brothers playing, a Chocolate sampling fair, give-aways of 4 Gateway Packets and 4 Busker bands and T/F Merch for sale, including the new 2015 designs. We hope to see you there!

Posted February 9, 2015

Neither/Nor 2015 Examines Innovative Nonfiction From Poland with Critic Ela Bittencourt

This year we’re celebrating Poland’s groundbreaking contributions to nonfiction cinema in the 2015 edition of Neither/Nor, our annual repertory sidebar focusing on “chimeric” work that straddles the line between fiction and nonfiction. This year’s program is a collaboration with film critic Ela Bittencourt, with the support of the Academy of Motion Picture Arts and Sciences. We will be spotlighting a generation of Polish filmmakers born during World War II. Living in the communist Polish People’s Republic, these filmmakers created formally and politically daring work that continues to influence cinema today. All Neither/Nor screenings are free to the public (access during the Fest is through the Q).

 

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image from A Few Stories About a Man (Neither/Nor 2015)

 

Throughout True/False 2015 (March 5-8), we will be screening and discussing films from radical luminaries Marcel Lozinski, Grzegorz Królikiewicz, Bogdan Dziworski and Wojciech Wiszniewski, as well as works from younger directors Maciej Drygas and Andrzej Czarnecki. Confirmed guests include Królikiewicz, Dziworski, cinematographer Jacek Petrycki and editor Dorota Wardeszkiewicz.

 

We’re going to turn things over to T/F programmer Chris Boeckmann to explain how this year’s N/N program emerged from a passionate discussion surrounding an earlier T/F film:

 

On October 21, 2010, True/False’s screening committee huddled around a small television and watched At the Edge of Russia, a film directed by a then-unknown twenty-something Pole named Michal Marczak. Michal’s film observes a group of Russian soldiers stationed in a remote part of Siberia. Their mission is to protect the border from Arctic Ocean threats. Outside of the context of a documentary festival, many viewers would assume Michal’s Waiting for Godot-esque comedy to be a work of fiction. Every composition is perfect, every laugh feels carefully timed, and the film is built on a neatly constructed narrative. In reality, however, Michal considers his film a work of nonfiction cinema, and it screened almost exclusively at documentary events, including True/False.

After our committee first watched the film, we fiercely debated its documentary claims. That debate continues to this day. In November 2012, the formidable Sean Farnel — a Canadian programmer who included the film in the 2011 edition of his own festival — wrote an article for Indiewire in which he retroactively accused Michal of being “dishonest” for labeling his film a documentary.

 

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image from At the Edge of Russia (T/F 2011)

 

The 2015 edition of Neither/Nor, which focuses on Polish documentary visionaries of the 1970s-1990s, can be traced back to this 2010 argument. As you will soon see, Michal’s film can be viewed as part of a rich Polish tradition. Before releasing At the Edge of Russia, Michal studied under documentary legend Marcel Lozinski at the Andrzej Wajda Master School of Film Directing. Marcel describes the world as a fish tank and suggests that it’s his job as director to shake that fish tank – i.e. provoke truth, often through staging – and document what happens. Marcel’s profound and mischievous work is explored in this series, as are the films of Dorota Wardeszkiewicz, the editor of At the Edge of Russia. At the beginning of her career, Dorota worked alongside the late Wojciech Wiszniewski, considered one of the fathers of Polish creative documentary. In the years since, she has collaborated with some of Poland’s most innovative documentary directors.

These artists — along with other crucial figures, such as Grzegorz Królikiewicz and Bogdan Dziworski — were born at the start of World War II and created many of their most groundbreaking works as citizens of the communist Polish People’s Republic (1944-1989). How and why did this staggeringly creative cinema emerge out of such a seemingly stifling system? Was it created in spite of that system or because of it? We’ve asked the astute and gifted film writer Ela Bittencourt to guide us through this astonishing, daunting and frequently overlooked period of film history. Her tremendous work speaks for itself.

-Chris Boeckmann

 

The Fest will present six Neither/Nor programs throughout T/F 2015. The films include Through and Through (1973) Grzegorz Królikiewicz’s bold and startling debut, which examines a famous 1933 trial using psychodramatic techniques.

 

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image from Through and Through (1973)

 

We’ll also be showing How to Live (1977) where Marcel Lozinski documents life at government-sponsored summer camp where couples learn to become the ideal communist family.

 

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image from How to Live (1977)

 

In addition, we’ll show the short A Few Stories About a Man (1983) by Through and Through cinematographer Bogdan Dziworski, who directs a mysterious and mesmerizing portrait of a talented, armless man named Jerzy Orlowski.

 

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image from A Few Stories About a Man (1983)

 

The full lineup will be announced on Wednesday, February 11.

In addition to film screenings, the festival will be publishing a monograph written by this year’s Neither/Nor curator Ela Bittencourt. Along with essays reflecting on the series’ films, the monograph features interviews with Królikiewicz, Lozinski, Dziworski, editor Agnieszka Bojanowska, Wardeszkiewicz and Drygas. Bittencourt is a freelance film and art critic whose writing has appeared in Artforum, Frieze Magazine, Cineaste, Film Quarterly and Reverse Shot, among other publications.

Neither/Nor is presented by the Academy of Motion Pictures Arts and Sciences. Now in its third edition, the series seeks to start a conversation about historical examples of chimeric cinema. The 2013 edition, curated by film writer Eric Hynes, looked at New York City chimeras from the 1960s, while the 2014 edition, curated by film critic and filmmaker Godfrey Cheshire, investigated Iranian cinema of the 1990s. You can read the 2013 monograph here and the 2014 monograph here.

Posted

A Look Inside the Lab by Photographer Stephen Bybee

For months now, the True/False production team has labored tirelessly in their secret lab, engineering the strange alternate universe we’ll all soon inhabit. Photographer Stephen Bybee recently gained access to their lair and brought back these mysterious images of the team at work and the weird objects they are creating. Take your first peek into the world of True/False 2015 as it comes into being.

 

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Posted February 4, 2015
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©2015 True/False Film Fest Columbia, MO 65201 USA 573-442-TRUE