Events

Thank You Boone Dawdlers!

The 2014 Boone Dawdle has come and gone, and we are happy to report another unforgettable day. Hundreds were undeterred by the threat of storms and joined us for a fun-filled bike ride, a scrumptious meal, a delightful concert and a fascinating film. As always, we’d be utterly lost with out the good will and hard work of an entire community of people. We want to take a moment to look back at the day and thank some of the people that made it happen. Along the way we’ll share some of our favorite images captured by photographers Stephen Bybee and Vivian Abagui.

Things got underway that Saturday morning with a tune up from Sarah Ashman and the rest of the crew at Walt’s Bike Shop, who generously provided support for our 15-mile westward journey down the MKT and Katy trails linking Columbia and Rocheport.

photo by Stephen Bybee

photo by Stephen Bybee

 

It certainly wouldn’t be True/False without music vibrating through the air. As we set off westward, tunes were here and there from Max Rubio, Dubb Nubb, SaP, Meeyoo, Step Daughter, Rae Fitzgerald, Ben Bushman, Nevada Greene, Sunshine Mamas and Ruth Acuff, who accompanied her beautiful, soaring melodies with a harp.

vivian 4

photo by Vivian Abagui

 

Folks looking for a burst of energy or perhaps just a simple treat were in luck, thanks to the delicious trailside snacks provided by Sparky’s Homemade Ice Cream, Kaldi’s Coffee and Harold’s Doughnuts. For those that imbibe, there was a local beer pour featuring samples from Schlafly, Flat Branch, Broadway, Logboat and Bur Oak breweries.

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photo by Vivian Abagui

 

The Dawdle is defined by delightful and instructive digressions. This year we entertained by the folks from by Mid-Missouri Traditional Dancers, Moon Valley Massage, Missouri Contemporary Ballet and the folks from the Greenhouse Theater Project, who gave short improvised performances.

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photo by Vivian Abagui

 

Dawdlers also found themselves seeking advice from the Interpretation Station manned by John Reid and in the midst of a mini carnival at Hindman Junction featuring jugglers Phil and Melanie Knocke.

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photo by Vivian Abagui

 

In addition, Jeff Barrow and the Missouri River Relief volunteers offered Dawdlers a new treat, a short voyage on a scenic stretch of the Missouri River.

dawdlevivian

photo by Vivian Abagui

 

The final bit of trail before Les Bourgeois is especially taxing, coming at the end of our trek. Thankfully, cheerleaders from Hickman and Battle High Schools were kind enough to provide some inspiration. Meanwhile, the legendary T/F Sherpa team kicked it into gear, hauling more than 143 bikes up the hill and the bike loading volunteers began loading the hundreds of bikes into trucks for their return journey to Columbia.

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photo by Vivian Abagui

 

We’d arrived at our destination, Les Bourgeois Winery. Here our gracious hosts Curtis, Chelsea and Matt had a delicious meal waiting for us, featuring food from numerous local culinary contributors, more Schlafly beer and Les Bourgeois’ own wine. Then we stretched out and relaxed on the beautiful limestone bluffs overlooking the Missouri River.

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photo by Stephen Bybee

 

This summer’s delightful sunset concert was performed by the duo Drakkar Sauna, who combine classic country themes with inventive word play to create a unique style all their own.

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photo by Vivian Abagui

 

Throughout the day, Doug, Steve, Justin and the rest of T/F tech crew once more rose to the challenge and worked around inopportune weather. They waited until just before showtime to setup the screen for this year’s film, An Honest Liar, explores the career and life of James “the Amazing” Randi, a world-class magician who became an important debunker of purported psychics and healers. Afterwards, co-director Justin Weinstein was kind enough to join us for a discussion of this provocative film.

photo by Vivian Abigui

photo by Vivian Abigui

 

Then, alas, the 2014 Boone Dawdle was at an end. Thanks again to everyone who made the journey with us, and a special thanks to the T/F Volunteers and Core Staff who worked a 15-hour day to make it possible. Let’s all hang our again in just six short months, March 5-8, at T/F 2015! And in less than a year it will be time to Dawdle again, on August 15, 2015.

 

 

Posted August 27, 2014

Announcing the Boone Dawdle Band: Drakkar Sauna

The Boone Dawdle always features a sunset concert on the limestone bluffs overlooking the Missouri River. After exiting the trail at Les Bourgeois Winery in Rocheport, we’ll all grab a bite, a libation or two and kick back. This year we believe we’ve found a fitting accompaniment for your post-ride buzz.

The duo Drakkar Sauna, multi-instrumentalist Jeff Stolz and guitarist Wallace Cochran, channel an assortment of musical influences, soaring vocal harmonies and a love of World Championship Wrestling into an upbeat and infectious brand of folk. Their lyrics subject classic country themes to inventive word-play, creating a stream of ideas both humorous and poignant.

See for yourself in the short Drakkar Sauna concert  below.

We hope that you’ll join us for this fun concert. Tickets for the Boone Dawdle are on sale now.

Posted July 26, 2014

Announcing the Boone Dawdle Film: ‘An Honest Liar’

We are excited to announce our 2014 Boone Dawdle Film, An Honest Liar.

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James “The Amazing” Randi rose to fame first as a magician and then as a debunker of fraudulent psychics. His rivalry with Uri Gellar flourished in front of Johnny Carson’s cameras, igniting a national discussion. This expertly crafted film goes beyond typical historical fact-collecting, though, rejecting adulation to present a clear-eyed take on Randi’s professional and personal life and uncovering a story unknown until now. It’s funny, exciting, and, ultimately, even a bit of a love story. The perfect film, then, for a hot summer’s night and the perfect capstone to T/F 2014.


Co-director Justin Weinstein in person to answer your questions. Tickets for the Boone Dawdle are on sale now.

Posted

Volunteer to Help With the Boone Dawdle!

T/F needs YOU to volunteer at this year’s Boone Dawdle on August 16! It’s a super-fun, long, hot day spent on the trail and at Les Bourgeois. We’re particularly looking for folks who are willing to work on the Bike Loading Team — that means you’ll miss the movie and the party (we’ll feed you dinner from Les B, of course!), but you get all of the other volunteer perks, PLUS a General Volunteer Pass for T/F 2015! If you’re interested in being a Juggernaut in 2015, your Bike Loading hours will count towards the 40 required to receive a Juggernaut pass. Sign up here by August 1!

Posted July 17, 2014

‘Beyond Pretty Pictures’ Panel

Technology continues to revolutionize documentary filmmaking. Increasingly light-sensitive cameras liberate filmmakers to capture nighttime scenes; miniature, waterproof cameras are cheap; skeleton crews allow subjects to feel more comfortable revealing themselves. In this year’s “Beyond Pretty Pictures” panel, these ongoing innovations serve as the jumping off point for a wide ranging conversation on the art of nonfiction. Moderator Omar Mullick (These Birds Walk) quizzed Linda Västrik (Forest of the Dancing Spirits), Ewan McNicol (Uncertain), and Victor Kossakovsky (Demonstration) on how they harness technology to tell better stories.

Check out this short clip, an exchange on how doc subjects see themselves on film and how they react to these reactions.

If this excerpt peaked your interest, you can watch the whole thing on our video page or download the conversation as an audio mp3. Our panels were filmed by our friends at Columbia Access Television.

Posted July 10, 2014

Second Take: ‘Gallant Girl A Journey to True/False’ by Sarah Goodman

Sarah Goodman, director of When We Were Boys (T/F 2010), just released the new short film Gallant Girl A Journey to True/False. In it a woman from the past journeys through the Missourian landscape to the present day and finds herself swept up in a spectacle that she can’t quite understand. This film is part of our new “Second Take” series of short films created at the Fest by T/F alumni. Check it out below.

Posted June 13, 2014

May is Doc Month at Ragtag Cinema

An exciting series is happening each week in May at Ragtag Cinema. Thanks to the support of our friends at Landmark Bank, May is officially Doc Month at Ragtag, featuring the theatrical releases of five compelling new documentaries. The series includes three T/F 2014 selections returning to CoMo, a portrait of a fascinating artist and a film from our very own T/F co-conspirator David Wilson!

Let’s take a look at the films:

Opening May 2: We Always Lie to Strangers

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David Wilson, a founder of Ragtag and True/False, and AJ Schnack, a Mizzou graduate and True/False alum (Kurt Cobain About a Son, T/F 2007amp;) co-direct this fascinating, tender documentary portrait of Branson, Missouri. Located in the Ozarks, Branson hosts more than 7.5 million tourists a year, but its population barely numbers 10,500. As they follow four different families over the course of five years, Wilson and Schnack offer a nuanced look at the city as its residents grapple with economic uncertainty and social change. “Elegant. The filmmakers’ biographical ties to the region, though never explicitly spelled out, show through in a deep-rooted mood of chivalry, the kind of bittersweet, affectionate tone one associates with home. ” (Leah Churner, Reverse Shot) Opening night 5pm screening only will include a special musical performance from the Lennon Family, who are featured in the film.

Opening May 9: Particle Fever (T/F 2014)

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You could hear the cry go out last October when two physicists were given the Nobel Prize for discovering the Higgs boson: “Would someone please explain?!” Fortunately, physicist-turned-filmmaker Mark Levinson had trained his cameras on the Large Hadron Collider since its opening, awaiting this moment. The LHC is the largest science experiment in history: a 17-mile-long tunnel on the French-Swiss border with immense data collection systems, designed and operated with 10,000 scientists and engineers from 150 countries, in hopes of replicating the instant after the Big Bang in order to see what we can learn about the atom—and life itself. “Particle Fever is that rare, exhilarating science doc that’s neither dumbed down nor drabbed up.” (Joshua Rothkopf, Time Out New York)

Opening May 16: Finding Vivian Maier

findingvivianmaier

In 2007, young Chicago historian John Maloof attended a storage unit auction and bid $400 on a box of photographs and negatives. Never publicly displayed, they were the work of a mysterious nanny named Vivian Maier, who secretly took over 100,000 photographs during her lifetime. Maier is now regarded as one of history’s greatest street photographers. In Maloof’s riveting documentary, he uncovers the strange, fascinating backstory by interviewing those who knew Maier. “More connect-the-dots detective thriller than traditional doc, John Maloof and Charlie Siskel’s revelatory riddle of a film unmasks a brilliant photographer.” (Chris Nashawaty, Entertainment Weekly)

Opening May 23: The Unknown Known (T/F 2014)

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“All generalizations are false. Including this one.” So runs the central paradox in the body of wisdom known as “Rumsfeld’s Rules.” The secretary of defense under Gerald Ford (he was appointed at age 33) and George W. Bush, Donald Rumsfeld claims his rules guided the policies he championed, including launching wars against Afghanistan and Iraq. Oscar-winning director Errol Morris offers up history through the prism of the Rumsfeld Doctrine, but this is more an inquiry into the philosophy of language than an unpacking of historical fact. “A cat-and-mouse game in which each player thinks he’s the cat, making it both thrilling and disconcerting to watch.” (AO Scott, The New York Times)

Opening May 30: Jodorowsky’s Dune (T/F 2014)

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It was a match made in trippy heaven: in 1975, cult film director Alejandro Jodorowsky (El Topo, The Holy Mountain) optioned the rights to Frank Herbert’s sci-fi epic Dune. Mick Jagger, Salvador Dali, the graphic artist Moebius, and Pink Floyd signed on to help. A phone-book-thick script was prepared and the 14-hour hallucinatory project that Jodorowsky called “the most important picture in the history of humanity” seemed to be on its way. But it was not to be. Director Frank Pavich’s inspiring tale of ambition and failure revisits the film that could have rendered Star Wars superfluous. “Fun. A loving testament to ambition.” (Joshua Rothkopf, Time Out New York)

Each film will play for one week. Daily showtimes for the following week are posted here every Monday by 5pm. Ticket sales become available each day beginning at midnight online here or at the Ragtag box office beginning at 10am each day.

See you at the movies!

Posted April 29, 2014

True/False 2014 Fest Digest

The True/False 2014 Fest Digest provides a day by day recap of this year’s Fest. Written in the midst of the excitement, each digest entry recalls a handful of the previous day’s events with commentary, pictures and videos. Look back at the Magic/Realism:

Day Zero

Day One

Day Two

Day Three

Day Four

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photo by Derek Jenkins

Posted March 10, 2014

True/False 2014 Fest Digest: Day Four

True/False 2014 has come and gone. The four days always seem to fly by like a heady whirlwind, leaving us dizzy and happy with too many experiences. We hope that you too left T/F 2014 with a wealth of ideas and impressions, enough to unpack and reinterpret throughout the months until we all come together again.

Sunday was yet another day stuffed to the brim with True/False. We brushed off a bit of snow and ice and pressed ahead with a plethora of screenings and events. Below we’ll recap just a few of the amazing things that happened on the final day of True/False 2014.

For us in the middle of the Fest, aiming a year’s worth of brainstorming, planning and production at just four days makes for an unusual feeling. It may be similar to what filmmakers experience while screening their films at T/F, watching as years of their life and work are condensed into mere minutes of images projected on a screen. For this reason, it’s more than fitting that the final installment of Jarred Alterman’s Magic/Realism focuses the role of hard-earned craft in the art of stage magic. “You may spend ten hours on something that takes thirty seconds”, magician Steve Ferris remarks. “But for those thirty seconds, you’re doing the impossible.”

At the Odd Fellows Lodge, Sunday began with the Weird Wake-Up, a breakfast where Fest-goers wipe the sleep from their eyes and refuel their bodies for the home stretch.

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photo by Roxi Pop

After chowing down, the crowd headed into the theater for Dusty Stacks of Mom, experimental animator Jodie Mack’s journey through the clutter left in her mom’s out-of-business poster shop. Mack sang her reimagined and relyriced version of Pink Floyd’s Dark Side of the Moon live from the back of the theater as a cascade of images danced across the screen. When the performance ended, the crowd expressed their appreciation with a roaring ovation. A giddy Mack explained how she sees the piece as being in part about culture’s continual reappropriation of ubiquitous images, making the pairing with Floyd’s iconic album apropos.

photo by Corey Ransberg

photo by Corey Ransberg

At the Missouri Theatre, Sunday afternoon featured a screening of Happy Valley, the new film from this year’s True Vision Award honoree, Amir Bar-Lev. This work is a thoughtful examination of the culture surrounding Penn State football in the wake of the Jerry Sandusky sexual abuse scandal. On stage after the film, Bar-Lev talked about how we all use narratives to construct an identity and what happens when a whole town is forced to reexamine how it sees itself.

photo by Sarah Hoffman

photo by Sarah Hoffman

Early in the afternoon,  Samuel James and Les Trois Coups played a raucous free show before a packed house at Sparky’s Homemade Ice Cream, one of downtown CoMo’s hippest hang-outs.

©Derek Jenkins for True/False Film Fest 2014

photo by Derek Jenkins

The Fest concluded with a variety of events at our three biggest venues. At the Missouri Theatre, a crowd gathered to watch The Overnighters, which chronicles the startling consequences when a North Dakota pastor allows homeless men to sleep in his church. After the film, director Jesse Moss talked about adding a surprising final revelation to a work he thought was already near completion.

photo by Roxi Pop

photo by Roxi Pop

At the Vimeo Theater at The Blue Note, the Racso Party gave T/F attendees a chance to check-in on a very prestigious ceremony where movie types give each other small, but surprisingly heavy statues.

photo by Derek Jenkins

photo by Derek Jenkins

And at Jesse Auditorium, our official closing night film was a one time only screening of a truly singular work. Director Richard Linklater’s Boyhood is a work of fiction, depicting an adolescence in 21st century Texas from age 5 to 17. The film’s remarkable 12-year production allows you to see the actors grow and change along with their characters. After a rapturous 162-minutes of cinema, Fest co-director David Wilson was joined on stage by producer Cathleen Sutherland and star Ellar Coltrane, who spent his own boyhood playing the film’s main character, Mason. Coltrane spoke about collaborating each year with Linklater on the screenplay, a process which caused him to grow closer to closer to Mason. He also talked about his real relationship with his on-screen father Ethan Hawke.

photo by Quint Smith

photo by Quint Smith

Back at the Missouri Theatre we all huddled together in the lobby for the always bittersweet Busker’s Last Stand. The Schlafly flowed as the music opened with supergroup Chimney Choir/Les Trois Coups/Raya Brass Band along with rotating, quickfire performances by Toughcats and Yes Ma’am.

photo by Corey Ransberg

photo by Corey Ransberg

For those of us who stayed up way too late, comedian Dave Hill hosted the first ever edition of Toasted at Cafe Berlin. This late-night talk show featuring buzzed conversations with T/F filmmakers alongside musical performances. In the appropriately raw excerpt below, Dave chats with Kitty Green of Ukraine is Not a Brothel and Maxim Pozdorovkin of The Notorious Mr. Bout ahead of a performance by Yes Ma’am.

The final video from Tiny Attic focuses on the many invisible hands that build the fantastical world of the Fest. We go on a short tour of Neon Treehouse and Taylor Ross constructions, with music provided by Prahlad, MNDR and James Cathcart’s SPACE IS THE PLACE.

Try as we might, there’s just no way to express the gratitude we feel for the dedicated staff, volunteers, sponsors, guests and patrons who continue to make this whole thing possible. What do you say we do it all again next year? True/False returns March 5-8, 2015!

Posted March 3, 2014

True/False 2014 Fest Digest: Day Three

Saturday is the busiest day of True/False, with so much to see and to do, and even to feel. It’s an idea that was discussed by director Joe Callander after the screening of the tonally complex Life After Death at The Globe. Contrast makes the funny parts hilarious, and the sad parts even sadder. At True/False, sometimes it seems like we’re feeling everything all at once.

The inadequacy of any summary is inevitable, but we’ll try our best in this post to give a small taste of the T/F Saturday.

In a cinema, the sense of wonder can come on in a flash, often when you least expect it, when a detail that was previously mundane suddenly becomes profound. True/False also aims to create this effect all weekend long, locating it in a re-imagined utopian Columbia. Wonder is the essence of the art of stage magic, as you can see in the third installment of Jarred Alterman’s Magic/Realism intro films. David Klachko provides the explanation and Steve Ferris the demonstration.

The day kicked-off bright and early with the True Life Run, a surprise filled walk/run through the streets of Columbia, made possible by the support of the Columbia Orthopedic Group, and benefiting our True Life Fund. Runners had to take on challenges on course including ultimate hopscotch, Newspaper Labyrinth, Foam Noodle Freeze Tag, Catch the Rabbit (seen below) and the Mayor’s Council obstacle course. The winners were were Ian Chillag and Sara Spoede, but congratulations are due to everyone who participated.

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photo by Quint Smith

photo by Quint Smith

photo by Quint Smith

Over at the Odd Fellows Lodge, Omar Mullick of These Birds Walk oversaw Linda Västrik (Forest of the Dancing Spirits), Ewan McNicol (Uncertain), and Victor Kossakovsky (Demonstration) in the Beyond Pretty Pictures panel. The conversation explored the evolving technology of nonfiction filmmaking, and its promise and peril for doc makers.

photo by Frank Mendoza

photo by Frank Mendoza

The Missouri Theatre, The Unknown Known examined the career of Donald Rumsfeld through a series of interviews and readings by Rumsfeld of his “snowflakes”, the thousands and thousands of memos issued by Rummy as Secretary of Defense. After the film, editor Steven Hathaway talked about building the film out of 35 hours of interviews, before director Errol Morris appeared on screen via Skype. Morris noted with a laugh “I’m a talking head!” and reflected on the element of performance in everything Rumsfeld does.

photo by Xiaojie Ouyand

photo by Xiaojie Ouyand

Gabriel Viles gathered a crowd at our box office for the Art Ramble, a free guided tour of our many wonderous art installations. Viles reflected on the transitory nature of all True/False’s art, which only adds to its poignancy. The tour covered Leland Drexler-Russell’s glowing nest-egg-polyps “TransPlant”, Duncan Bindbeutel’s “Camera Obscure” on The Picturehouse Lawn and Yulia Pinkusevich’s imagined two-dimensional city scape “Stilted” in Alley A (seen below).

photo by Frank Mendoza

photo by Frank Mendoza

Later in the afternoon at Jesse Auditorium, the screening of the True Life Fund film Private Violence, was one of the most powerful events of the whole weekend. Before the lights went down, pastor Dave Cover of The Crossing explained his church’s sponsorship of the TLF, and the issue of domestic violence that the film addresses. Afterwards, T/F co-founder David Wilson was joined on stage by director Cynthia Hill and subjects Kit Gruelle and Deanna Walters, the recipients of this year’s Fund. The Q and A was interrupted by frequent bursts of applause from the crowd. Kit noted, ”We just don’t have this crime worked out yet.  This is the 20th anniversary of the Violence Against Women Act, but we still aren’t addressing this crime in ways which I think we should, which is seeing it as the petri dish, the root crime, for almost all the other criminal behavior that we end up reacting to.”

photo by Derek Jenkins

photo by Derek Jenkins

Back at the Missouri Theatre, Ukraine is Not a Brothel depicted the complex and oftentimes paradoxical world of radical activism. It examined the case of the Ukrainian feminist group Femen, famous for staging topless demonstrations to protest the treatment of women.  Following the showing, director Kitty Green and Femen leader Inna Shevchenko spoke with the crowd. Talking about the group’s controversial use of nudity, Shevchenko argued “this peaceful but provocative action is at some level more effective than stones or guns”.

photo by Sarah Hoffman

photo by Sarah Hoffman

Inna Shevchenko went from the Ukraine screening to The Vimeo Theater at The Blue Note. There she served alongside Actress star Brandy Burre and Particle Fever physicist David Kaplan as judges in our signature game show, Gimme Truth! hosted by the always witty Johnny St. John. The three judges evaluated the veracity of 11 2-minute films, taking breaks laughter and drinks in-between.

photo by Roxana Pop

photo by Roxana Pop

Finally, late at Mojo’s it was time for Saturday’s installment of Mojo’s-a-Go-Go. SpaceIsThePlace, Née, and MNDR created an emotive trance for the synth-pop dance party.

photo by Corey Ransberg

photo by Corey Ransberg

Check out even more of day three and hear a few thoughts from T/F 2014 filmmakers Sherief Elkatsha (Cairo Drive), Jesse Moss (The Overnighters) and Andrew Droz Palermo (Rich Hill) alongside music from Paul Rucker and Lone Piñon in video three from Chelsea and Paul at Tiny Attic Productions.

Saturday rolled into Sunday, the weather here in CoMo took a turn for the worse. But we aren’t letting that slow us down one bit. Only one day of T/F 2014 remains. Lets make some magic!

Posted March 2, 2014
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