Events

Program for Tonight’s Gimme Truth!

Here’s the program for tonight’s Gimme Truth! tonight at the Vimeo Theater at The Blue Note.

HOST

Johnny St. John

This disgraced former game show host continues on what appears to be an interminable comeback trail. Paroled once again to host his eighth consecutive Gimme Truth!, Johnny St. John is here to relive his glory years before scandal brought him to his knees. Marrying the sardonic wit of ‘60s-era quiz show hosts with the razzmatazz of a pool shark, St. John has collected restraining orders from at least eight T/F filmmakers. Please don’t report him, and join in when he starts singing his self-penned Gimme Truth! theme song. Though we don’t condone his methods, after seven years it’s hard to argue with results.

CONTESTANTS

Ioanis Nugent- director of Spartacus & Cassandra

Ioanis (ee-wah-nees, we think) plays the part of our befuddled foreigner. He’s used to running amok with two Roma children and a no-nonsense trapeze artist. Here’s to hoping he finds something transferrable between that and this stage. We make no promises.

Lyric R. Cabral- director of (T)ERROR

Lyric is hell-bent on interrogating each of the contestants. She lived next to an FBI informant for years and unlike the rest of us, she not only knew but made a movie about it. By the end of the show she may very well discover all the secrets of our very own Johnny St. John.

Nick Broomfield- director of Tales of the Grim Sleeper

Don’t let his British accent throw you off–with his morbid curiosity he’s influenced American pop-culture about as much as anyone. We think forbidding him from taking the stage with his boom pole AKA bullshit detector should level out the playing field.

Films

1. Snip Snip: A Story of Childhood Loss

dir. Mike Sleadd & Matt Schacht

2. Kinda Famous

dir. Diggy Splash & Justin Gregory

3. Sparky’s

dir. Tucker Morrison & Aaron Persky

4. On the Fence

dir. Kate and Jimmy Moore

5. John B. Thompkins and the Special Shaving Equipment

dir. Pat Holt

6. My Name is Billie

dir. Livvy Runyon

7. Living History

dir. Jilly Dos Santos, Jess Christensen, Alex Isgriggs & Maddy Mueller

8. Gyno Might

dir. Benjamin J Hedrick

9. Flossy Flossy

dir. Autumn Brown & Heather Beger

10. Family Heirloom

dir. Paul Mossine & Chandra Heartland

BONUS FILM:

Call of Duty

dir. Matt Lenski, 2015, 6 min.

Posted March 7, 2015

True/False 2015 Fest Digest: Friday

On Friday True/False expanded into more and more venues, events, screenings, concerts, panels and parties. This makes our job in the Fest Digest even more of a fool’s errand, but we’ll try to provide a little bit of cohesion to the day that was. Below you’ll find descriptions, images and video of just a few of the things that happened yesterday.

Before each program on Friday, fest-goers saw Jarred Alterman’s second microfilm “The Clockmaker”, in which “Pendulum” Bob King considers time as something we think we grasp, but is ultimately mysterious.

 

 

In the august setting of the Missouri Theatre, Friday began with an extraordinary event in T/F history. For the first time, T/F partnered with Columbia high schools to bring each and every 10th grader from Columbia public high schools to a special showing of What Happened, Miss Simone at Missouri theater.

 

Copy of TF15-DIYDAY-SH-13

photo by Sarah Hoffman

 

The film charts the life of the combustible, brilliant jazz singer Nina Simone. After the film, students asked questions to director Liz Garbus, who discussed Simone’s psychological afflictions and their complicated relationship with her ability to produce incredible art.

 

photo by Ryan Henriksen

photo by Ryan Henriksen

 

Afterward, students migrated to the greater Orr St. area for our DIY (Do It Yourself!) Day! Orr St. Studios housed a large parade preparation workshop, with glitter galore, and mask and banner creation for the March March. Smaller individual breakout sessions focused on filmmaking, music, screen-printing and advice from those with success in creating a life of artistic expression.

 

photo by Ryan Henriksen

photo by Ryan Henriksen

 

photo by Ryan Henriksen

photo by Ryan Henriksen

 

In an attempt to dig deeper into the minds of the many brilliant guests we bring to town, we put on a series of conversations at the Reynolds Journalism Institute. In our first, panelists Kevin B. Lee (Transformers: The Premake), Zhao Qi (producer of The Chinese Mayor) and Dean Ming Yang and Dr. Zhenzheng Wang discussed the state of documentary filmmaking in the People’s Republic of China and different models that filmmakers there have attempted to try to reach audiences.

 

photo by Corey Ransberg

photo by Corey Ransberg

 

True/False presents but a single award each year. Our True Vision Award honors the career of a working filmmaker who has made significant contributions to nonfiction cinema. This year that honor went to Adam Curtis, who for over twenty years at the BBC has reevaluated history through brilliant archival montages.

At noon Friday Curtis presented a unique program at our second home, Ragtag Cinema, titled Unstoryfiable: Where Journalism Fails and Modern Power Begins. Talking in-between short films, segments and clips, Curtis’ wide-ranging, audacious and frequently humorous presentation argued that new systems of power, grounded in predictive systems for risk management, hide in plain sight because they are impossible to capture with either narrative or imagery.

 

Copy of TF15-Unstoryfiable-JG-1457

photo by Jarred Gastreich

 

Immediately following Unstoryfiable, Adam was whisked away to the Missouri Theatre, where Paul presented him with the True Vision Award ahead of a screening of his new film Bitter Lake, which examines the tortured history of Afghanistan in light of a fateful agreement between the United States and the House of Saud.

 

photo by Billie Stock

photo by Billie Stock

 

When the bright and sunny afternoon Friday afternoon rolled around it was time for the March March, in which we usher in a new season with a joyous parade down the center of downtown Columbia, featuring music, costumes, puppets and more.

 

photo by Sarah Hoffman

photo by Sarah Hoffman

 

photos by Ryan Henriksen

photos by Ryan Henriksen

 

Meanwhile at the Picturehouse, it was the first screening of Spartacus & Cassandra, an artful blend of verite intimacy and lyrical interludes about the lives of two Roma children at a crossroads. Director Loanis Nuguent and subject Camille Brisson were on hand afterwards for a spirited Q and A.

photo by Corey Ransberg

photo by Corey Ransberg

 

And at Rhynsburger Theatre, Sam Green presented The Measure of All Things, a constantly evolving live-documentary featuring live musical accompaniment. As still images and video clips appeared on screen, Green narrated a interwoven series of tales inspired by entries in The Guinness Book of World Records, including the time the world’s second tallest man saved the life of a dolphin.

 

photo by Whitney Buckner

photo by Whitney Buckner

 

A little later filmmakers and festgoers come into close contact at the Oddfellows Lodge during Campfire Stories, an intimate event where filmmakers tell stories of “the scene that got away.” In one of this year’s entries, Khalik Allah of Field Niggas described gaining and then losing a subject, and a friend. Our friends at CAT TV captured his tale on video.

 

 

The night ended at Tonic with the @CTION Party. By the time midnight rolled around, the dance floor was crammed with bodies in motion to the sounds provided by DJs Gold E Mouf and Cousin Cole.

 

photo by Jarred Gastreich

photo by Jarred Gastreich

 

Friday’s gone, but there’s so much more T/F to come. Time to head out back into the festival. But before we do, let’s take one last look at Friday through a video recap, amazingly created overnight by the diligent T/F Video Team.

 

 

Onwards to Saturday!

Posted

True/False 2015 Fest Digest: Opening Night!

T/F Opening night brings with it adrenaline and jitters, followed by the sudden ecstasy of being once more in a crowd of fest-goers and a feeling of that excitement echoed back. No matter your preparation, True/False only truly exists in the present, right now.

Before all of the opening night films, the first of Jarred Alterman’s T/F 2015 microfilms examining our concept of time screened. “The Astrophysicist” introduces us to Angela Speck, who explains how, in her extra-intuitive domain of inquiry, time becomes a measurement of distance.

 

 

The promise of a new True/False weekend manifests in our annual fancy pants gala, The Jubilee. Costumed T/F fans packed the august Missouri Theatre, enjoying drinks, hors d’oeuvres, the joyful noise created by a menagerie of performing buskers.

 

Copy of TF15-Jubilee-JG-1010

photo by Jarred Gastreich

 

Copy of TF15-Jubilee-JG-1154

photo by Jarred Gastreich

 

Eventually, we all found our seats for a screening of Best of Enemies a film which offers fascinating context to the vital archival footage of William F. Buckley and Gore Vidal’s seminal televised debates of the late 60s. Afterwards co-director Morgan Neville tried to explain the feeling of finally sharing a film with an audience after being alone with it for so long. He also said he wants to provoke discussion about “civil and uncivil discourse.”

 

Copy of TF15-BestofEnemiesQA-MS-06

photo by Megan Stilley

 

Later at the Vimeo Theater at The Blue Note, Morgan Knibbe’s impressive feature debut Those Who Feel the Fire Burning screened for the very first time in the United States. By forcing us into the perspective of a hovering ghost, the film aims to “throw the audience into the deep” of the difficult and often hopeless lives of recent immigrants to Europe. Afterwards, Knibbe talked with the crowd and T/F programmer Chris Boeckmann about wanting to find a poetic approach to this problem that went “further than the numbers and factual information.”

 

Copy of TF15-ThoseWhoFeelTheFireBurning-TB-151

photo by Taylor Blatchford

 

Opening night came to an end at Cafe Berlin with the Toast/False busker showcase, featuring the bittersweet music of Cindy Woolf & Mark Bilyeu, Jack Grelle & Ryan Koenig and The Strangled Darlings, seen below.

 

Toast/False

photo by Corey Ransberg

 

Thursday night was but a warm-up for what is in store for us today. But before we plunge ahead, let’s take one more look at the excitement of opening night via the T/F Video Team, whose work features Miss Jubilee & The Humdingers’ song “I Found A New Baby”.

 

Posted March 6, 2015

True/False 2015 Fest Digest: Beginnings

True/False 2015 is right now.

Welcome to our daily digest. Here we’ll be covering the Fest each day as it happens and trying to talk about True/False as a whole. Paradoxically, the only way to do this is to look closely at a few individual parts. In these daily updates, we’ll be covering just a fraction of the film screenings, Q and As, panel conversations, concerts, parties and art exhibits happening this weekend in coordination with the T/F photo and video teams.

In 2015 we want to talk about time. Among the arts, cinema’s relationship with time is unique. A film only truly exists inside of its brief run-time, yet inside of that sacred set of minutes, great cinema dominates time, underlining it or erasing it, chopping it to pieces or stretching it out before us. Likewise, our festival is a mere four days, but we aim to offer an experience which opens temporally both backwards and forwards, outward into the years.

To look at T/F we need to start not at the beginning, but at many beginnings, conceptual, temporal, geographical of the threads which have gathered together into our festival.

To help explore the daunting theme of time, we once more called upon the services of filmmaker Jarred Alterman, who crafted the microfilms you’ll see before each and every screening. Here’s an enigmatic preview of what he has in store for us.

 

 

True/False exists to investigate the contradiction at the heart of cinema, a medium which can faithfully capture slivers of reality while constantly manipulating our experience. A couple years ago we began an important new part of this inquiry thanks to the generous support of the Academy of Motion Picture Arts and Sciences. Neither/Nor is an annual partnership with a visiting film critic to map a history of chimeric cinema, films which aggressively embrace cinema’s central paradox. This year in our third Neither/Nor program critic Ela Bittencourt is presenting a series of shamefully under seen work from Poland, covering the last two decades of that nation’s Communist rule. Ela created a beautiful monograph featuring essays and interviews on all six programs in the series, available right now at the Ragtag Box office.

Months of preparation and research for Neither/Nor culminated last night in a kickoff for the series at Ragtag Cinema, downtown CoMo’s 365-day a year cinema born of the same parent organization and inseparable from the Fest in innumerable ways. In the Hittsville gallery space hosted a photography show of the work of filmmaker Bogdan Dziworski, one of the Polish masters we’re honoring this year.

 

Copy of TF15-NeitherNor-TB-047

photo by Taylor Blatchford

 

Inside Ragtag’s big theater we held a reception for Ela with authentic Polish food from Columbia’s Cafe Poland. We then settled in for a presentation of Arena of Life, a program of unforgettable short films by Bogdan. Afterwards Bogdan spoke excitedly as Ela translated about his desire to blend the surreal and the real through aggressive sound design and told an unbelievable story about a planned prison break.

 

Copy of TF15-NeitherNorReception-RA-02

photo by Rebecca Allen

 

Meanwhile, our annual fundraising effort for a documentary subject, the True Life Fund, is already well underway. Filmmaker Joshua Oppenheimer, the man responsible for The Act of Killing and it’s companion film The Look of Silence has made appearances at all four Columbia high schools, discussing with students how Adi Rukun, The Look’s protagonist, heroically confronted the still powerful men who killed his brother along with hundreds of thousands of others in Indonesia’s anti-communist purges of 1965-66.

 

DIGEST

photo by Allison Coffelt

 

At our venues around town and on the University of Missouri campus, our army of volunteers has once more sprung into action, transforming spaces into temporary, yet glorious cinemas. Below you can see the ball room of the Tiger Hotel in the process of becoming The Forrest Theater once more.

 

Copy of TF15-ForestTheaterSetup-ML-4-2

photo by Morgan Lieberman

 

Our production team has already spent months and months in T/F’s secret lab, constructing the numerous art installations which will reveal a hidden utopia inside of our city. Here Glenn Rice installs his “light cone” piece in downtown’s central artery, Alley A.

 

TF15-ART-RA-02

photo by Rebecca Allen

 

And our central hub of operations, the T/F Box Office, has settled into its new home in Imago Gallery at Hitt and Broadway. The bustling crowds picked up their tickets and passes and scooped out the merch underneath chandeliers and murals dedicated to a creature with extraordinary longevity.

 

Beautiful artwork overlooking the box office. Photo by Billie Stock

photo by Billie Stock

 

Finally, last night T/F eve came to an end at Eastside Tavern, where Relevant Hairstyles where part of a weird and wild start to our 2015 music program. Buskers will be playing before each and every screening this weekend.

 

TF15-EastsidePrefestKickoff-JA-2

photo by Jon Asher

 

It’s about time. The preparation is finally at an end. Let’s get started.

-Dan Steffen
Minister of Propaganda

Posted March 5, 2015

‘The Jinx: The Life and Deaths of Robert Durst’ at T/F and On HBO

The Jinx: The Life and Deaths of Robert Durst is a six-part HBO series examining enigmatic millionaire Robert Durst, still free despite being implicated in a disappearance, a murder and a dismemberment over the course of three decades. Created by the team of Andrew Jarecki and Marc Smerling, the men responsible for the unforgettable Capturing the Friedmans, The Jinx artfully presents a constantly shifting kaleidoscope of perspectives, outrageously including that of Durst himself in an extensive, uncomfortable interview.

 

thejinx

Robert Durst in The Jinx

 

The Jinx deserves to be recognized as both great television and great cinema. For this reason, T/F will be presenting three different programs of The Jinx during the Fest. The first program features episodes 1 and 2 and the second episodes 3 and 4. The third, Sunday night at 9:00 the Vimeo Theater at the Blue Note, will feature episode 5 the same night it premieres on HBO. If you’ve been watching at home or want to catch up on HBOGo, you can jump in for a special extended Q and A with co-creator Marc Smerling, who will be addressing for the first time the startling revelations contained in this episode. It should make for an unforgettable conclusion to T/F 2015.

 

Posted March 3, 2015

How to ‘Q’

You’ve probably noticed on our schedule that most of the screenings are now marked “NRT” for “No Reserve Tickets”. This may even include the screenings for that one film you really wanted to see. Please, don’t panic. The “No Reserve Tickets” does not mean sold out. You can still use the Q!

We’re very proud of our Q system, which we feel does a great job of keeping T/F accessible, despite of its growth. But we understand it can be confusing and intimidating, particularly for people who haven’t used it before.

So here’s how it works. At each of our venues you’ll immediately notice the conspicuous ‘Q’. One hour before each and every screening, the flamboyantly dressed Q Queen will begin handing out numbered Q cards. Frequently, a line forms at the Q in the lead up to this one hour til showtime mark.

 

Q ing up in front of the Missouri Theater.

 

Once you get your numbered Q card, you can go grab a bite to eat or take a stroll around town. Just make sure to come back 15 minutes before the show starts. That’s when we’ll start filling seats off of the Q, based on the number on your Q card, so make sure you’re back with 15 minutes. To speed this process up, the Q Queen will have you form a line in numerical order. We always hold back seats to fill with the Q, in addition to the seats belonging to ticket holders who decide not to come (something which happens frequently at the film festivals).

Once your number is called and you’re ready to head into the theater, you’ll need to do one of two things. If you have a pass, you can just flash it to the volunteer at the door and head on in. Otherwise, make sure you have cash on you to pay at the door.

It’s easy once you get the hang of it. We promise.

This year we are introducing a new incentive to get folks out and ‘Q’ing. Every time you get a Q card, put your name and email on the back. Whether or not you get in to the screening, make sure to hand your card in to the Queen. We’ll draw one Q card at random for all four days of the Fest. Each lucky winner will receive one LUX pass to T/F 2016! Sorry, volunteers, Ragtag and True/False staff are not eligible.

Some things to keep in mind when planning your ‘Q’ing.

How big is the venue? The bigger the venue, the more people will for sure get in on the Q. Ranked from biggest to smallest, our theaters are: The Missouri Theatre, Cornell, The Vimeo Theater at The Blue Note, The Picturehouse, Geology, Rhynsburger, The Globe, The Forrest Theater, Big Ragtag, Odd Fellows Lodge and the Willy Wilson Theater at Ragtag.

What time of day is it? People tend to have a tendency to sleep in and skip that first screening in the morning. Late at night, they might decide that they’ve already had enough for one day. This frees up more seats for the Q. But if you want to go to a screening at 7 pm, you’ll probably have to line up at the Q a little earlier.

Have fun! Strike up a conversation with a stranger. Tell someone about a film you saw. If we’ve done our job right, there should be more than enough to talk about!

Posted February 28, 2015

Tickets On Sale Thursday March 5 at the T/F Box Office

The T/F Box Office opens for individual ticket sales at 9 am on Thursday, March 5. We’ll have thousands of T/F 2015 tickets available. Among those screenings we’ll have tickets for are:

Those Who Feel the Fire Burning- Thursday at 9:30 pm- The Vimeo Theater at The Blue Note

Drone- Thursday 10:15 pm- Missouri Theatre

Cartel Land- 10:15 pm  Friday- Missouri Theatre

Probation Time- Saturday 7:45 pm- Rhynsburger Theatre

Secret Screening Orange- Saturday 9:15 pm- The Picturehouse

The Visit- Sunday 9:30 am- Missouri Theatre

Spartacus & Cassandra- Sunday 12:30 pm- Missouri Theatre

Tales of the Grim Sleeper- Sunday 3:30 pm- Missouri Theatre

Girl You Know It’s True (shorts)- Sunday 7:30 pm- The Globe

Secret Screening Red- Sunday 7:30 pm- Rhynsburger Theatre

Time Is A Thief (shorts)- Sunday 8:30 pm- The Picturehouse

The Jinx: The Life and Deaths of Robert Durst: Episode 5 - Sunday 9:00 pm- The Vimeo Theater at The Blue Note

Posted February 27, 2015

Coming Soon to The Great Wall!

The Great Wall, T/F’s free outdoor cinema, is back in 2015, now newly situated right outside T/F’s international headquarters at 9th and Broadway. Films will play from 7-11 the Friday, Saturday and Sunday nights of the Fest.

This year The Great Wall will feature two different programs. On Friday and Sunday, we’ll be projecting a shorts program titled Swan Song for the Factory Age. Watch as the walls of modern industry are toppled and a postindustrial civilization arises.

It begins with the hypnotic Single Stream (Ernst Karel, Toby Lee and Pawel Wojtasik, 24 min.), which shows our throwaway society as it reaches operatic excess.

Single Stream

image from Single Stream

 

In the nihilistic The Digger, the Bell, and the Tropical Pharmacy (Jennifer Allora, Guillermo Calzadilla and Tony Gerber, 21 min.), we ride shotgun on a single-minded, musical excavator.

The digger

image from The Digger, the Bell and the Tropical Pharmacy

 

Assembly Line Movement (Jesse Sugarmann, 22 min.), introduces former Pontiac factory workers pantomiming—with surgical precision— their now-obsolete daily rituals.

Sugarmann

image from Assembly Line Movement

 

In Layover (Vanessa Renwick, 6 min.), in which birds swoop over our demise, their relentless choreography signaling a new start.

Screen Shot 2015-02-26 at 8.10.28 AM

image from Layover

 

This program will also feature a short film from this year’s True Vision Award winner Adam Curtis.

 

On Saturday night The Great Wall will feature Our Sweet Malik, a tribute to our late friend Malik Bendjelloul. Malik stole our hearts in 2012 when he brought his musical fairy tale Searching for Sugar Man to True/False. He also starred at our game show Gimme Truth! as the charming, befuddled foreigner. Then fresh off of his 2013 Oscar win, he made a victory lap to mentor T/F’s high-school students. With the gracious guidance of Brittany Huckabee—T/F alum and partner of Malik—we’re projecting a number of his visually arresting short works, which herald his later breakthrough.

"Searching for Sugar Man" Greenroom Photo Op - 2012 SXSW Music, Film + Interactive Festival

Malik Benjelloul

 

Make sure to include a little space in your T/F 2015 schedule for a bit of cinema out under the stars.

Posted February 26, 2015

Explore the Films of the Gateway Packet

Note: Gateway Packets are now sold out. But do not fear, we’ll have thousands of tickets on sale for these and other films at our box office beginning March 5.

 

The Gateway Packet is now on sale until 6 pm on Friday February 27 for T/F 2015. For $40, the Gateway grants you the ability to reserve three tickets online. For a select set of screenings at True/False 2015, which runs March 5-8. You can reserve tickets for three different screenings or multiple tickets for the same one; it’s up to you. Gateway is a great to introduce someone new to T/F. Pick up yours here.

This year’s Gateway screenings are as follows:

(T)ERROR, Thursday at 6:45pm, Vimeo Theater @ The Blue Note

Those Who Feel the Fire Burning, Thursday 9:30pm, Vimeo Theater @ The Blue Note

Drone, Thursday, 10:15pm, The Missouri Theatre

Cartel Land, Friday 10:15pm, The Missouri Theatre

I Am the People, Saturday 10:00am, Geology

Kurt Cobain: Montage of Heck, Saturday 9:30pm, Missouri Theatre

The Visit, Sunday 9:30am, Missouri Theatre

Spartacus & Cassandra, Sunday, 12:30pm, Missouri Theatre

Tales of the Grim Sleeper, Sunday 3:30pm, Missouri Theatre

Of Men and War, Sunday, 5:30pm, Geology

Finders Keepers, Sunday, 7:00pm, Cornell Hall

The Jinx: The Life and Deaths of Robert Durst (Episode 5), Sunday 9:00pm, Vimeo Theater @ The Blue Note

 

Below we gathered some info about this year’s Gateway selections.

 

(T)ERROR gains unprecedented access to an FBI counter-terrorist investigation, as its directors Lyric R. Cabral and David Felix Sutcliffe explain in this video from Sundance 2015.

 

Those Who Feel the Fire Burning is a haunting look at life immigrant communities in Europe, as you can see in the mesmerizing trailer below.

 

Drone is a timely investigation drone technology, and the sticky, unresolved issues around its wide spread use in modern warfare.

 

Cartel Land a jaw-dropping look at the moral grey zone’s created by powerful drug cartels, as director Matthew Heineman explained at Sundance.

 

I Am the People is a unique and deeply humanist examination of the Arab Spring, an important film just now arriving in our hemisphere.

 

Brett Morgen’s Kurt Cobain: Montage of Heck creates a frightening and fascinating portrait out of a wealth of amazing archival materials. Morgen recently discussed his intimate with a legend in an interview with Rolling Stone.

 

The Visit is a hypnotic philosophical provocation from filmmaker Michael Madsen, who simulates humanity’s first encounter with an extraterrestrial species.

 

Spartacus & Cassandra is a beautiful and affecting story Roma children at a life crossroads. The blog Cine Vue covered its screening at last spring’s Cannes Film Festival.

 

Tales of the Grim Sleeper explores the unbelievable story of a serial killer who preyed on women in a South Central LA neighborhood for 25 years.

 

Of Men and War is a direct, unforgettable look at American soldiers suffering from PTSD, and the difficulty of providing them the help they need.

 

Finders Keepers is the stranger-than-fiction story of a severed foot found in a BBQ grill, and the even more bizarre events that followed. The Guardian covered its recent screening at Sundance.

 

Finally, The Jinx a multipart HBO series, where filmmaker Andrew Jarecki presents a shifting kaleidoscope of perspectives around millionaire Robert Durst, who happens to be the center of multiple murders and disappearances. The Sunday screening that is part five, so those watching along on HBO or HBOGo can join in. If you’ve caught up, check out the analysis of the latest episode on Vulture.

 

Posted February 23, 2015

Neither/Nor Begins True/False Eve with ‘Arena of Life’

The 2015 Neither/Nor series kicks-off on True/False Eve, Wednesday, March 4, with a free event at the Ragtag Cinema. At 6pm that evening, Ragtag will host a reception featuring all the guests of this year’s series. At 7pm, we will screen Bogdan Dziworski’s shorts program Arena of Life. After the screening, this year’s Neither/Nor curator, Ela Bittencourt, will moderate a Q&A with Dziworski.

 

Arena_zycia_13-2

image from Arena of Life

 

Famous for both his cinematography (see Through and Through) and still photography (check out his exhibit at Uprise Bakery), Bogdan Dziworski is one of Poland’s most imaginative visual artists. In this shorts program, we focus on the spectacular, unconventional profile films he directed in the late 1970s and early 1980s. Arena of Life (dir. Bogdan Dziworski, 1979, 20 min.) takes us behind the scenes of a circus, as performers tirelessly put on a show. Biathlon (dir. Bogdan Dziworski, 1978, 11 min) ogles professional skiers as they triumphantly shoot out into the sky and then crash to the ground. The masterpiece A Few Stories About a Man (dir. Bogdan Dziworski, 1983, 20 min) introduces us to Jerzy Orlowski, an agile, armless man, and shows us how he dives, draws, skis and, yes, urinates. In the melancholic, whimsical Szapito (dir. Bogdan Dziworski, 1984, 29 min), Dziworski revisits the circus and observes older performers as they struggle to nail their acts.

This event is free. Tickets will be available day of show at the Ragtag Cinema box office.

Posted February 18, 2015
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