T/F’s panel discussions bring together film directors, visual artists and film critics for candid conversation on the hows and whys of their crafts. Sometimes overlooked in the whirlwind of T/F weekend, we’ve now made the complete set of T/F 2014 conversations available to watch on our video page. Or if you’d like to take a panel with you on a jog or to the grocery store, click on any of the titles below to find an audio mp3 you can stream or download. All of these discussions were preserved thanks to the hard work of our media partners at Columbia Access Television.
Nonfiction films entering the world are still plagued by two types of criticism. There’s “be nice, this topic is worthy” damnation by faint praise for films with “important” issues, and the “Where’s the context?!” stigma faced too often by more personal or artful films. How to strike a balance and what DOES creative nonfiction need from critics? Sam Adams, the editor of Criticwire engages three cranky malcontents (i.e. critics), Nick Pinkerton, Ela Bittencourt and Adam Nayman, who have all the answers.
T/F 2014′s visual theme of magic/realism suggested an intersection between the mundane and the fantastic. But it wasn’t until visual artists from all over the country offered their creative sparks did the theme come alive. Artist and writer Anne Thompson coaxes magic from T/F bumper director Jarred Alterman, T/F 2014 poster artist Akiko Stehrenberger, sculptor Taylor Ross, who made the interactive mechanical sculptor in the Missouri Theatre lobby, and “TransPlant” pod installation artist, Leland Drexler-Russell.
Present tense films are crafted through an agreement between filmmaker and subject, but sometimes the bond is broken. During these fragile moments, the foundation of the relationship is questioned and a new trajectory takes hold. Hot Docs director Charlotte Cook hosts Robert Greene (Actress), Maxim Pozdorovkin (The Notorious Mr. Bout), Jesse Moss (The Overnighters) for a discussion on deception.
What was previously off limits is now possible through affordable, lightweight equipment, and low-cost DIY hacking. Increasingly light-sensitive cameras liberate filmmakers to capture nighttime scenes; miniature, waterproof cameras are cheap; skeleton crews allow subjects to feel more comfortable revealing themselves. T/F alumni Omar Mullick quizzes Linda Västrik (Forest of the Dancing Spirits), Ewan McNicol (Uncertain), and Victor Kossakovsky (Demonstration) on how they harness technology to tell better stories.
Nonfiction filmmakers locate vivid places and people whose stories jump off the screen – then they sift and winnow to find the soul of the place. True/False mascot Beadie Finzi chats with Tracy Droz Tragos (Rich Hill), Sherief Elkatsha (Cairo Drive), and Mark Levinson (Particle Fever) who reveal how they cast films where settings don’t act as backdrops but as stars in their own right.
To a Western mind, Africa may appear as a slideshow of slums, safaris, refugees, and marathon runners. In a clutch of T/F 2014 films, though, outsider filmmakers avoid shopworn stereotypes to tell distinctive stories from a diverse continent. T/F ringleader Ingrid Kopp asks Tobias Janson (Concerning Violence), Rachel Boynton (Big Men), and Joe Callander (Life After Death) how they circumvented the pitfalls.