New T/F 2015 Merch is now in stock and on sale, both in our online store and in the T/F pop-up shop in Makes Scents at 19 S. 9th Street in downtown CoMo. If you want to browse in person, Makes Scents is open seven days a week, Monday-Saturday 10-6, Friday 10-8 and Sunday Noon-5.
Art and Design
For months now, the True/False production team has labored tirelessly in their secret lab, engineering the strange alternate universe we’ll all soon inhabit. Photographer Stephen Bybee recently gained access to their lair and brought back these mysterious images of the team at work and the weird objects they are creating. Take your first peek into the world of True/False 2015 as it comes into being.
Presenting the True/False 2015 Poster! It’s designed by long-time T/F collaborator Erik Buckham with a drawing by artist Akiko Stehrenberger. As part of this year’s exploration of time, we decided to feature a creature known for its longevity. Check it out!
It’s Time: True/False 2015 is coming March 5-8!
See a short teaser for this year’s prefilm intros, directed by Jarred Alterman.
And check out the T/F 2015 poster, designed by artist Erik Buckham with an illustration by Akiko Stehrenberger.
2015 has arrived and with the new year T/F is ready to begin exploring a new idea, “The Long Now”!
This Thursday, January 8 is the opening reception for the new “The Long Now” art exhibit, featuring 14 works exploring our relationship with time selected through a jury process in partnership with Imago Gallery and Cultural Center. Imago will be hosting the show at their gallery at 1020 E. Broadway in downtown CoMo, also the future home of the T/F 2015 box office. At 7 pm Thursday, T/F’s Art Installation Coordinator and all-around production guru Camellia Cosgray will give a talk introducing the show. Refreshments will be provided.
The selected pieces are:
“Aquatic Dance” by Lampo Leong
“The Light” by Li Lin
“Window on the World” by Amy Meyer
“Icosahedron on Blue Plane” by Clint McMillen
“Avoidable collision nearing from behind.” by Ian Shelly
“Cernunnos Arabeque” by Madeleine LeMieux
“Pastpresentfuture” by Yourself
“Sketch of Scarlatti Sonata K34 (as Argo Navis)” by Kerry Hirth
“Expansion Loop with Flare” by Matt Moyer
“The” “Long” “Now” by Gabe Meyer
“Response Time” by Scott McMahon and Ahmed Salvador
“Epiphany” by Shannon Soldner
“St. Mary’s Flood Album – page 44? by Scott Patrick Myers
“Breath” by Natalie Shelly
10% of all sales will go towards the 2015 True Life Fund. Please come consider The Long Now with us.
As we round the bend into 2015, we’re still looking for proposals exploring our new theme, “The Long Now”.
First, True/False is partnering with Imago Gallery & Cultural Center for a “The Long Now” juried exhibit to run January 6 – 30. We are looking for both 2D and 3D work, but you’ll need to act soon; the submission deadline is coming up on December 1. You can find all of the submission guidelines here. 10% of sales made during this exhibit will go to the True Life Fund, our annual fundraiser to benefit the subjects of a new nonfiction film.
Also, we’re looking for T-Shirt design proposals for the 2015 Fest. Find all of the details here. You’ll have a little longer as proposals are due January 6, 2015, but don’t wait too long. The new year will be here before you know it.
This enigmatic expression is yours to interpret, but here are a few prompts about what “The Long Now” could mean:
- How do you tell time without a clock?
- Time is on our side.
- How do you communicate with people 10,000 years in the future? 10,000 years in the past?
- The pyramids are to today, as _____ is to tomorrow.
- All documentaries are historical documentaries.
- What is the future of the timepiece?
- The number 12.
- Retrofuturism. Where is my flying car?
- A stitch in time saves nine.
- Geologic time v homo sapien time
- Time and tide will wait for no man.
T/F’s panel discussions bring together film directors, visual artists and film critics for candid conversation on the hows and whys of their crafts. Sometimes overlooked in the whirlwind of T/F weekend, we’ve now made the complete set of T/F 2014 conversations available to watch on our video page. Or if you’d like to take a panel with you on a jog or to the grocery store, click on any of the titles below to find an audio mp3 you can stream or download. All of these discussions were preserved thanks to the hard work of our media partners at Columbia Access Television.
Nonfiction films entering the world are still plagued by two types of criticism. There’s “be nice, this topic is worthy” damnation by faint praise for films with “important” issues, and the “Where’s the context?!” stigma faced too often by more personal or artful films. How to strike a balance and what DOES creative nonfiction need from critics? Sam Adams, the editor of Criticwire engages three cranky malcontents (i.e. critics), Nick Pinkerton, Ela Bittencourt and Adam Nayman, who have all the answers.
T/F 2014′s visual theme of magic/realism suggested an intersection between the mundane and the fantastic. But it wasn’t until visual artists from all over the country offered their creative sparks did the theme come alive. Artist and writer Anne Thompson coaxes magic from T/F bumper director Jarred Alterman, T/F 2014 poster artist Akiko Stehrenberger, sculptor Taylor Ross, who made the interactive mechanical sculptor in the Missouri Theatre lobby, and “TransPlant” pod installation artist, Leland Drexler-Russell.
Present tense films are crafted through an agreement between filmmaker and subject, but sometimes the bond is broken. During these fragile moments, the foundation of the relationship is questioned and a new trajectory takes hold. Hot Docs director Charlotte Cook hosts Robert Greene (Actress), Maxim Pozdorovkin (The Notorious Mr. Bout), Jesse Moss (The Overnighters) for a discussion on deception.
What was previously off limits is now possible through affordable, lightweight equipment, and low-cost DIY hacking. Increasingly light-sensitive cameras liberate filmmakers to capture nighttime scenes; miniature, waterproof cameras are cheap; skeleton crews allow subjects to feel more comfortable revealing themselves. T/F alumni Omar Mullick quizzes Linda Västrik (Forest of the Dancing Spirits), Ewan McNicol (Uncertain), and Victor Kossakovsky (Demonstration) on how they harness technology to tell better stories.
Nonfiction filmmakers locate vivid places and people whose stories jump off the screen – then they sift and winnow to find the soul of the place. True/False mascot Beadie Finzi chats with Tracy Droz Tragos (Rich Hill), Sherief Elkatsha (Cairo Drive), and Mark Levinson (Particle Fever) who reveal how they cast films where settings don’t act as backdrops but as stars in their own right.
To a Western mind, Africa may appear as a slideshow of slums, safaris, refugees, and marathon runners. In a clutch of T/F 2014 films, though, outsider filmmakers avoid shopworn stereotypes to tell distinctive stories from a diverse continent. T/F ringleader Ingrid Kopp asks Tobias Janson (Concerning Violence), Rachel Boynton (Big Men), and Joe Callander (Life After Death) how they circumvented the pitfalls.
We’ve extended the deadline for True/False 2015 art installation proposals. You now have until September 8 to give us your take on “The Long Now”. Check out our Call to Artists page for more info.
This year for the first time, we featured a panel with the visual artists who transformed our city, turning the mundane into the fantastic through their own interpretations of “Magic/Realism”. The Odd Fellows Lodge hosted T/F bumper director Jarred Alterman, T/F 2014 poster artist Akiko Stehrenberger, sculptor Taylor Ross, who made the interactive mechanical sculptor in the Missouri Theatre lobby, and “TransPlant” pod installation artist, Leland Drexler-Russell. Artist and writer Anne Thompson led the group on a discussion of ideas and inspiration, which you can watch below thanks to our friends at Columbia Access Television.
You can take also take this conversation with you as a mp3 here.
If this chat sparked your own creativity, you should know that we are now accepting art installation proposals for T/F 2015 when our theme will be “The Long Now”.
Check out the complete series of True/False 2014 videos, created by Chelsea Myers and Paul Mossine of Tiny Attic Productions. There’s one documenting each day of the festival.
The first captures the excitement of opening night and our gala the Jubilee, featuring thoughts from filmmaker Joe Callander (Life After Death), music from Bruiser Queen and gravity-defying performances by Les Trois Coups.
Friday’s video explores the March March parade and the @CTION! Party, with music from Jerusalem and the Starbaskets.
Saturday’s entry collects thoughts from filmmakers Sherief Elkatsha (Cairo Drive), Jesse Moss (The Overnighters) and Andrew Droz Palermo (Rich Hill) while utilizing music from Paul Rucker and Lone Piñon.
The final video focuses on the many invisible hands that build the fantastical world of the Fest. We go on a short tour of Neon Treehouse and Taylor Ross constructions, with music provided by Prahlad, MNDR and James Cathcart’s SPACE IS THE PLACE.